Monday, February 4, 2008

Whitney

Whitney Houston

From Wikipedia, the free encyclopedia

Whitney Houston
Whitney Houston performing on December 1, 2007 at the Live & Loud Concert in Kuala Lumpur, Malaysia
Whitney Houston performing on December 1, 2007 at the Live & Loud Concert in Kuala Lumpur, Malaysia
Background information
Birth name Whitney Elizabeth Houston
Also known as The Voice
Born August 9, 1963 (1963-08-09) (age 44)
Newark, New Jersey, United States
Genre(s) Pop, R&B, dance-pop, gospel
Occupation(s) Singer, songwriter, pianist, actress, film producer, model
Instrument(s) Singing, piano
Voice type(s) Coloratura soprano
Years active 1977–present
Label(s) Arista
Website www.whitneyhouston.com

Whitney Elizabeth Houston (born August 9, 1963) is an American pop and R&B singer, actress, film producer, record producer, songwriter, and former fashion model. Her crossover success opened doors for other African Americans, particularly women, to find success in pop music.[1][2] She has frequently been referred to as "The Voice".[3][4] She is known mainly for her powerful, gospel-influenced voice that is also appealing to the mainstream masses.

During the 1980s, Houston was one the first black artists to receive regular rotation on MTV in the network's early years during a white male rock dominated time.[5][6] Her debut album became the biggest selling debut album of all time for a solo artist (a record that has since been broken), her follow up album became the first album by a female artist to debut at #1 on the Billboard 200, and she had a record seven consecutive #1 singles on the Billboard Hot 100 chart. Houston continued her success into Hollywood in the 1990s, starting with the box office hit The Bodyguard. The soundtrack would become the best selling soundtrack of all time, and the single "I Will Always Love You" the best selling single by a female artist.[7] She continued the decade with other successful and culturally significant projects before returning to the studio. Houston is the fourth best-selling female recording artist according to the Recording Industry Association of America[8] and is the winner of six Grammy Awards and 2 Emmy Awards.

I Will Always Love You




After Houston married former R&B singer Bobby Brown at the height of her career, rumors of drug and spousal abuse started to affect her career. This led to a decline in her public image and her album sales dropped during the 2000s. Her personal troubles and erratic behavior would be talked about more than any of her music, regularly appearing in the tabloid press. Houston underwent two drug rehab programs in 2005 and 2006. After a successful second program in 2006, Houston divorced Brown and gained custody of their only daughter. She has since been working on her 7th studio album with music mogul and close friend and mentor Clive Davis.[9]

Contents

Early life

Whitney Houston was born in a rough neighborhood in the projects of Newark, New Jersey. She is the third and youngest child of John and gospel singer Cissy Houston.[10] Her mother, along with cousin Dionne Warwick and Godmother Aretha Franklin are all notable figures in the gospel, rhythm and blues, and soul genres. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle class area in East Orange, New Jersey when she was four.[10] While her mother was away touring with Elvis Presley and Aretha Franklin as a backup singer, her father would spend most of the time raising the children. Houston did not have many friends and she was picked on because her face was too light or her hair was too long compared to the other black girls.[citation needed] At the age of eleven, Houston began to follow in her mothers footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah." When Houston was a teenager, her parents divorced and she continued to live with her mother. She attended a Roman Catholic single-sex high school, Mount Saint Dominic Academy, where she met her best friend Robyn Crawford, whom she describes as the "sister she never had." Crawford would later become Houston's personal assistant and the two of them would eventually be constantly subjected to lesbian rumors.[citation needed] While Houston was still in school, her mother continued to teach her how to sing.[1] In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Elvis Presley, Chaka Khan, Gladys Knight, and Roberta Flack, most of which would have an impact on her as a singer and performer.[11]

Music career

Early career: 1977–1984

Houston spent much of her teenage years touring night clubs with her mother. In 1977, at fourteen years of age, Houston was featured as the lead singer on the Michael Zager Band’s single “Life’s a Party.” Zager subsequently offered to help obtain a recording contract for the young singer, but Cissy declined, wanting her daughter to finish school first. Then in 1979, at age sixteen, Houston sang background vocals on Chaka Khan’s hit single "I'm Every Woman", a song she would later turn into a bigger hit in 1992. In the early 1980s, Houston worked as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in Vogue Magazine[12] and became one of the first women of color to grace the cover of Seventeen magazine[13] She also appeared in a Canada Dry soft drink commercial. While modeling and touring nightclubs with her mother, she continued her recording career, working with producers Michael Bienhorn, Bill Laswell and Martin Bisi on an album they were spearheading called One Down, which was credited to the group Material. For that project, Houston contributed the ballad “Memories”, which Robert Christgau of the The Village Voice called "one of the most gorgeous ballads you've ever heard".[14]

Houston had previously been offered several recording contracts (Michael Zager in 1980 and Elektra Records in 1981). In 1983, Gerry Griffith, an A&R representative from Arista Records, saw her performing with her mother in a New York City night club and was impressed. He convinced Clive Davis, Arista's label head, to take time to see Houston perform at the nightclub. Davis too was impressed after the performance and offered her a worldwide recording contract, which Houston signed. Later in the year, she made her national televised debut alongside Davis on the The Merv Griffin Show.

Houston signed with Arista in 1983 but did not began work on her album immediately. Arista put forth the deal to make sure no other label signed the singer from under them. At first, Davis had a hard time finding material for Houston to record. Many major producers passed on her.[15] Houston first recorded a duet with Teddy Pendergrass entitled “Hold Me,” which appeared on his album, Love Language. The single became a Top 5 R&B hit, and would also appear on her debut album.

Debut: 1985–1986

With production from Michael Masser, Kashif, Jermaine Jackson and Narada Michael Walden, Houston's self-titled 1985 debut album was released in February 1985 and initially sold modestly while failing to make in impact after the lead single, the dance-funk "Someone For Me" failed to chart in both the US and UK. The plan was to first appeal to a black audience, hence the release of the next single, the soulful ballad “You Give Good Love,” which peaked at #3 on the U.S. Billboard Hot 100 while going #1 on the R&B Charts.[15] As a result, the album began selling and climbing the charts. With success on the R&B Charts, Davis wanted Houston to crossover to a broader audience. She began performing on popular night shows that usually weren't open to many black acts.[5] The follow-up singles, the romantic “Saving All My Love for You,” “How Will I Know,” which would introduce her to the MTV audience, and “Greatest Love of All” all peaked at number one on the pop singles chart and would help establish a crossover base. By 1986, a year after its initial release, Whitney Houston topped the Billboard 200 album chart and stayed there for 14 consecutive weeks.[16] It became an international success, selling over thirteen million copies in the United States alone —making it the best-selling debut album of all time by a female artist. To date, the album has sold approximately 25 million copies worldwide.[17] The album received mainly positive reviews. Many praised the new voice with Rolling Stone calling her "one of the most exciting new voices in years".[18] The same year, Houston launched her first headlining tour called The Greatest Love Tour. The 89 day tour was the sixth highest grossing tour of the year with $20.1 million.[19] Because of her duet "Hold Me" in 1984, Houston was ineligible for 'Best New Artist' at the 1986 Grammys.[20] However, she did win her first Grammy award for ‘Best Pop Vocal Performance, Female’ for “Saving All My Love for You”. At the same award show, Houston performed her Grammy-winning hit; the performance won Houston her first and only Emmy Award for Outstanding Individual Performance in a Variety or Music Program. Houston also won two American Music Awards and an MTV Video Music Award. Houston's debut is currently listed as one of Rolling Stone's 500 Greatest Albums of All Time[21] and on The Rock & Roll Hall Of Fame's Definitive 200 list.[22] Whitney Houston's grand entrance into the music industry was listed as one of the 25 musical milestones of the last 25 years according to USA Today.[23]

Saving All My Love for You




Continued success: 1987–1991

Houston’s second album, Whitney, was released in June 1987. Following the same formula as her debut, the album featured productions from Masser, Kashif and Walden again, as well as Jellybean Benitez. It became the first album in history by a female artist to debut at number one on the Billboard 200 in the US and the UK album chart, as well as topping the charts in several countries around the world. The album's first four singles, “I Wanna Dance With Somebody (Who Loves Me),” “Didn't We Almost Have It All,” “So Emotional,” and “Where Do Broken Hearts Go” all peaked at number one on the Billboard Hot 100—which brought her a total of seven consecutive Hot 100 number-one hits; breaking the record of six previously shared by The Beatles and The Bee Gees. The album's fifth, and final single, “Love Will Save the Day” also peaked in the Top 10 on the Hot 100. However, unlike her previous album, neither song topped the R&B Charts. Whitney was certified nine times platinum in America, and has sold approximately 20 million worldwide. Many critics complained that the material was too similar to her previous album and also felt that Houston was holding back her gospel roots for mainstream pop music.[5] Rolling Stone said, "the narrow channel through which this talent has been directed is frustrating."[24]

Houston won her second Grammy in 1988, for ‘Best Female Pop Vocal Performance’ (“I Wanna Dance With Somebody”) and embarked on the worldwide The Moment of Truth tour. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, “One Moment in Time,” which peaked at number five in the U.S., while reaching number one in the UK and Germany.

With the success of her first two albums, Houston was a crossover superstar. However, many black critics complained that her music was "too White" and that she was selling out.[5] Some noted that her singing on record lacked the soul that was present in her concerts.[25] At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, the audience booed her.[26] Houston spoke of the criticism and said "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it."[27] However, the pop singer decided to take a more urban direction in her music. I'm Your Baby Tonight, Houston’s third studio album, was released in November 1990 and featured productions from Babyface and Antonio Reid, Luther Vandross, and Stevie Wonder. For the album, Houston was given more control; she was co-executive producer along with Clive Davis. The two would work together for the rest of Houston's albums in the 90s. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. The album peaked at number three on the Billboard 200 and went on to be certified four times platinum in the US, selling ten million worldwide. The first two singles, the new jack swing “I’m Your Baby Tonight” and the soul ballad “All The Man That I Need” each hit number one on both the pop and R&B singles charts respectively. The third and fourth singles: “Miracle,” and “My Name Is Not Susan” peaked at numbers nine and twenty, respectively —the fifth single, "I Belong to You", peaked in the Top 10 on the R&B charts, while yet another single, the duet with Stevie Wonder entitled, "We Didn't Know", made the R&B Top 20. Though sales of the album were down drastically compared to her previous efforts, the album was well received by critics. Rolling Stone felt it was her "best and most integrated album".[28]

Houston performed “The Star Spangled Banner” at Super Bowl XXV in January 1991. Her recording of the song was released as a commercial single, reaching the top twenty on the U.S. Hot 100, and making her the only artist to turn the national anthem into a chart hit. (Ten years later, the song was re-released after the September 11, 2001 attacks, this time peaking becoming a Top 10 hit.) Houston donated her share of the proceeds to the American Red Cross. This legendary performance of the national anthem was named number one in the NFL’s 2003 list of Top 25 greatest moments in NFL history.[citation needed] VH1 also listed it as the 12th greatest moment that rocked TV.[29]

In 1991, Houston embarked I’m Your Baby Tonight World Tour, which Rolling Stone poll voters voted “Worst Tour of the Year.”[30] The tour didn't sell out as much as her previous tours. She then performed for the Welcome Home Heroes Concert in Norfolk Virginia for the returning soldiers from the Gulf War. The concert was televised on HBO and subsequently released as a home video. All proceeds went to charity.[31]

Hollywood success: 1992–1998

In November 1992, Houston made her big screen debut, opposite Kevin Costner, in The Bodyguard, which became a huge success at the box office thanks in large part the accompanying soundtrack. Houston performed six songs on the films adjoining soundtrack album, which featured productions from David Foster and Babyface. The album was certified 17x platinum in the United States[32] (with worldwide sales of 42 million,[33] according to Whitney's official site) and went onto become the best-selling soundtrack album ever. Houston’s recording of “I Will Always Love You” peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks and topping the charts in nearly every other country including the big markets of the UK, Germany, France and Australia. The song has sold approximately 10 million copies worldwide, making it the best selling single by a female solo artist. Follow-up singles “I'm Every Woman” and “I Have Nothing” also peaked in the top five. The album won Album of the Year and Record of the Year at the Grammy Awards. Following the success of the film, Houston embarked on another expansive worldwide tour in 1993, which concluded in 1994 with a HBO televised "Concert For A New South Africa" making Houston the first artist to perform in the newly apartheid-free country. With total capacities of over 200,000 and a home video subsequently released, all proceeds went to charity.[34] During this time, she also recorded “Something in Common,” a duet with new husband Bobby Brown.

In December 1995, Houston co-produced, with Babyface, the critically acclaimed cultural phenomenon Waiting to Exhale: Original Soundtrack Album. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted [it] to be an album of women with vocal distinction" to go along with the film's strong women message.[35] As a result, the album featured a range of contemporary R&B female recording artists including Aretha Franklin, Toni Braxton, Brandy, and Mary J Blige. Houston herself contributed three songs including the smash “Exhale (Shoop Shoop)”. After debuting at #1 on the Billboard Hot 100, the song spent a record 11 weeks at the #2 spot. Houston also contributed two other songs: the top 10 hit “Count on Me”, a duet with friend Cece Winans and the top 30 hit, “Why Does It Hurt So Bad”. The album debutted at #1 and has sincebeen certified seven times platinum in America, and has sold thirteen million worldwide,[33] according to her official site. The soundtrack received strong reviews. Entertainment Weekly said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks....the soundtrack waits to exhale, hovering in sensuous suspense"[36] and has since ranked it as one of the 100 Best Movie Soundtracks.[37] Newsday called it "the most significant R&B record of the decade."[38]

In late 1996, Houston recorded, and co-produced with Mervyn Warren, the gospel The Preacher's Wife: Original Soundtrack Album, six of the songs were recorded with the Georgia Mass Choir at Greater Rising Star Church in Atlanta. Unlike Houston's previous soundtracks, The Preacher's Wife featured Houston on 14 of the 15 tracks including a collaboration with gospel legend Shirley Caesar. The soundtrack sold six million copies worldwide and scored pop hits with “I Believe in You and Me” and “Step by Step”, becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, like USA Today, noted the presence of an emotional depth not always heard in her previous recordings.[39] The UK Times said "To hear Houston going at full throttle with the 35 piece Georgia Mass choir struggling to keep up is to realise, at last, what her phenomenal voice was made for."[40]

In 1997, Houston performed the 3 night HBO televised "Classic Whitney" concert in Washington DC. The concert saw Houston perform her hits as well as covering classics by idols Aretha Franklin, Dionne Warwick, Billie Holliday and Diana Ross.[41] Later that year, Houston starred in the remake of Rodgers & Hammerstein's Cinderella with fellow singer Brandy. Though no soundtrack was made, Houston sang "Impossible" with Brandy, and "There Is Music In You".

Back to the studio: 1998–2001

After spending much of the early and mid 1990s working on films, with their adjacent soundtrack albums as an outlet for new music, Houston's fourth studio album in eight years, the critically acclaimed My Love Is Your Love was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions produced enough new material for a full-length studio album. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album had a more funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, reggae, mid-tempo R&B, torch songs, and ballads all with great dexterity. The album's first single, the Academy Award-winning "When You Believe" (a duet with Mariah Carey for 1998s The Prince of Egypt soundtrack) didn't do as well as expected and only reached the Top 20 in the U.S. As a result, the album debuted at #13.[42] However, the next three singles, Heartbreak Hotel, which featured Faith Evans and Kelly Price; “It's Not Right but It's Okay”, which won Houston her sixth Grammy Award, and “My Love Is Your Love” all reached the US Top 5 and became international hits. The album's fifth single, "I Learned from the Best," peaked inside the US top forty, at number twenty-seven. All singles, except "When You Believe", also became number one hits on the U.S. Dance/Clubplay Chart. The album went on to be certified four times platinum in the U.S., with worldwide sales of ten million. The album gave Houston her strongest reviews ever. Rolling Stone said Houston was singing "with a bite in her voice that she's never come close to before"[43] and the Village Voice called it "Whitney's sharpest and most satisfying so far".[44] In 1999, Houston participated in VH-1’s Divas’ Live ‘99, alongside Mary J. Blige, Tina Turner, Cher. The same year, Houston hit the road with her worldwide 70 date My Love Is Your Love tour.

Whitney Houston accepts the BET Lifetime Achievement Award in 2001.

Whitney Houston accepts the BET Lifetime Achievement Award in 2001.

In April 2000, Whitney: The Greatest Hits was released. The double disc set peaked at number five on the Billboard Top 200, and reached number one on the UK chart. While the ballads were left unchanged, the album is notable for featuring house/club remixes of many of Houston’s past up-tempo songs, in place of their original version. Also included on the album were four new songs: “Could I Have This Kiss Forever” (a duet with Enrique Iglesias), “Same Script, Different Cast” (a duet with Deborah Cox), “If I Told You That” (a duet with George Michael), and “Fine”, all of which failed to crack the Billboard Top 40. Along with the album, an accompanying DVD was also released of the music videos to Houston’s greatest hits. The greatest hits album was certified triple platinum in the US, with worldwide sales of ten million. The same year, Houston performed on the televised special commemorating Arista Records twenty-fifth anniversary. Houston was then the first ever reciepient of the BET Lifetime Achievement Award for her contribution towards black music. In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract (worth $100 million) to deliver six new albums on which she would also earn royalties. Within weeks Houston's rendition of the "Star Spangled Banner" would be re-released after the 9/11 terrorist attacks. The single peaked at #6 on the singles chart.[45] Houston would donate her portion of the proceeds.

Commercial decline: 2002–2005

In December 2002, Houston released her fifth studio album, Just Whitney. The album featured productions from then-husband Bobby Brown, as well as Missy Elliott, and Babyface, while marking the first time Houston did not work with Clive Davis. The album received poor reviews upon its release.[46] Rolling Stone said the album "only shows an artist vainly trying to reach for what her future once could have been."[47] The album debuted at #9 on the Billboard 200 albums chart with the highest opening week sales of any album she had ever released, but all of the singles, “Whatchulookinat,” “One of Those Days,” and “Try It on My Own” failed to reach the top forty on the Hot 100 singles chart and the album quickly fell of the Billboard Top 200 due to a disastrous Prime Time interview with Diane Sawyer to promote the album. Just Whitney would be certified platinum in the U.S. with cumulative worldwide sales of over three million, Houston's lowest sales of any studio album. According to Fox News the album was "leaked in its entirety sometime over the weekend to lots of Web sites and downloading services. It is able be burned onto CDs, distributed for free and will likely turn up on street corners before the end of this week" "Interestingly, at the same time, Santana's new album, Shaman, which Arista will release on Tuesday, also seems to be all over the Internet. (Maybe Arista has a problem somewhere in its company with disgruntled employees.)"

In late 2003, Houston released One Wish: The Holiday Album, a specialty album of traditional Christmas songs. The single "One Wish" reached the Top 20 on the Adult Contemporary Chart as the album sold approximately 400,000 copies in the U.S. It eventually became Houston's lowest selling album and the first not to achieve gold status in the US.

In 2004, Houston embarked on an international tour, the Soul Divas tour with Natalie Cole and cousin Dionne Warwick in Europe, before embarking on solo dates in the Middle East, Russia, and Asia. In September 2004, she gave a surprise performance at the World Music Awards, in tribute to long time friend Clive Davis. Houston received a thunderous standing ovation for her performance. After the show, Davis and Houston announced plans to go into studio to work on a new album.[48] However, no further updates would surface and no album was released due to Houston's drug problems.

New beginnings: 2006–present

After a successful rehabilitation period in 2006, Houston began recuperating her career in the public eye by attending the Carousel of Hope Ball in October 2006 and Clive Davis's Pre-Grammy Party in February 2007. Houston recorded the song "Family First" with Dionne Warwick and Cissy Houston for the soundtrack Daddy's Little Girls. Houston also divorced Bobby Brown and gained full parental custody of their daughter, Bobbi Kristina. In July 2007 it was reported that Houston performed her classic duet 'Count On Me' with CeCe Winans at one of Winans' gigs.[citation needed] Houston also made a guest appearance at Swarovski's Fashion Rocks in London. Houston's comeback album release date and title are yet to be determined. Reported producers include will.i.am,[49] Ne-Yo,[50] R.Kelly,[51] and John Legend[52] among others.[53] Houston is currently still working on her new album.

On October 29th 2007, Arista released The Ultimate Collection which included, for the first time, all of Houston's hit singles on one CD. It debuted at #5 in the UK, with sales of 37,228. It climbed to #3 in its second week on the chart. On November 5th 2007 this compilation was also released in France with bonus DVD of Houston's music videos including a previously unreleased video of the song "When You Believe" (duet with Mariah Carey).

Houston performed in Kuala Lumpur, Malaysia on December 1st, accompanied by positive reception.[54][55][56] At this concert she performed many of her previous hits including "I Will Always Love You", "Exhale (Shoop Shoop)" and "My Love Is Your Love" for a crowd of 10,000 people. Many critics have praised the performance and indicated that Houston's voice is recovering well after her previous drug use. In Jet Magazine, it was announced that Houston's album is due out in April.[citation needed]

It is rumored that Houston will perform at the upcoming Grammy Awards with Alicia Keys, although there are rumours circulating that Whitney is not that keen in sharing the stage with the piano songstress.[57]

Film and television career

During the early-mid 1980s, as Houston was trying to launch a music career, she auditioned for acting roles; including the part of Sondra Huxtable on The Cosby Show, which eventually went to Sabrina Le Beauf. In 1984, Houston appeared on an episode of Gimme a Break, and an episode of Silver Spoons in 1985.

With the huge success of her first two albums, movie offers came from Robert De Niro, Quincy Jones, and Spike Lee, though she felt the time wasn't right.[58] Houston’s first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston plays Rachel Marron,a star who is stalked by a crazed fan that hires a bodyguard to protect her. The film was successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide thanks in large part to the success of Houston's soundtrack to the film. It is currently among the top 100 highest grossing films worldwide[59] and USA Today listed it as one of the 25 most memorable movie moments of the last 25 years.[60] The movie is also notable for not mentioning or explaining its interracial aspect. Houston's mainstream appeal allowed people to look at the movie color-blind.[61] Still, controversy arose as some felt the film's ads intentionally hid Houston's face to hide the film's interracial aspect. In an interview with Rolling Stone Magazine in 1993, the singer commented that "people know who Whitney Houston is—I'm black. You can't hide that fact."[11] Despite the film's success, the reviews were mixed, and Houston received a Razzie Award nomination for Worst Actress. The Washington Post said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking"[62] and The New York Times said she lacked passion with her co-star.[63]

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in the film Waiting to Exhale, about four African-American women struggling with relationships. Houston plays the lead character Savannah Jackson, a TV producer who moves to Phoenix to find a new man, but ends up in love with a married man. It marked Houston's first time portraying a character who isn't a singer. The movie and its soundtrack struck a chord with African American women and is considered a cultural classic. After opening at #1 and grossing $67 million in the US at the box office and $82 million worldwide, it proved that a movie targeting black audiences can cross over to a white audience and make money, while paving the way for other all black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that have become popular in the 2000's.[64][65][66] The film is also notable for its portrayal of black women as strong middle class citizens as oppose to their usual stereotypes.[67] The reviews were mainly positive for the ensemble cast. The New York Times said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in "The Bodyguard" seem so distant."[68] Houston was nominated for an NAACP Image Award for Outstanding Actress In A Motion Picture, but lost to her co-star Basset.

In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a Reverand. Despite the success of Waiting To Exhale, the movie's star power, and Disney's high budget, many predicted the movie would not be a success due to its all black cast.[69] The movie was a moderate success, earning approximately $50 million at the US box offices.[70] Still, the movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice."[71]

In 1997, Houston co-produced and starred in (along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters) a made-for-television remake of Rodgers & Hammerstein‘s Cinderella. Houston played the Fairy Godmother. Houston was initially offered the role of Cinderella in 1993, but other projects intervened and CBS lost interest.[72] The film featured a multiracial cast and Houston said the ultimate message was that "African-American girls and women are princesses just as much as White girls and those of other ethnicities, and that they too can fulfill their dreams."[73] An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years.[74]

In 2005, husband Bobby Brown starred in his own reality TV program Being Bobby Brown, which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show. The series featured Houston at her most lowest moments and many wondered why she took part in it.[75] Slant Magazine said "it's just an excuse to get [Whitney] on camera while she's ripped out of her mind."[76] Hollywood Reporter said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television"[77] and The Washington Post said "Their lives seem sad much of the time, yet never rise to the status of tragedy."[78] Despite the train wreck nature of the show, the series gave Bravo its highest ratings in its time slot.[79] The show was canceled after the first season due to low demand after Houston divorced Brown.[80]

Of late, Houston has served as an executive producer of many successful Hollywood films including the Disney films The Princess Diaries, The Princess Diaries 2: Royal Engagement, and the Disney made-for-television films The Cheetah Girls and The Cheetah Girls 2: When in Spain.

Personal life

Marriage to Bobby Brown

Throughout the 80s, Houston was romantically linked to American football star Randy Cunningham and actor Eddie Murphy, whom she dated.[81] She was also romantically linked to her long-time friend and female assistant Robyn Crawford, but continuously denied the lesbian rumors.[11] Houston then met R&B singer Bobby Brown at the 1989 Soul Train Music Awards. After a three year courtship, the two were married on July 18, 1992. Many were surprised at the pairing and felt that the New Edition singer would be a bad influence on Houston. Brown had numerous run-ins with the law and already had 3 kids with different women while Houston was considered a good church girl.[11] Many felt that the marriage was an attempt for Houston to get street credibility after being under fire from black critics.[82] Despite their differences in image, Houston gave birth to their child, daughter Bobbi Kristina Houston Brown on March 4, 1993 after a miscarriage the year before.[83] Throughout the 90s Brown continued to get in trouble with the law including sexual harassment, drunk driving, assault charges and even jail time[84] while Houston suffered another miscarriage in 1996.[85] In the 2000s, Brown continued to find trouble while the drug rumors began for Houston. In December 2003 Brown was arrested and charged with battery after an altercation with Houston after it was reported that he hit her.[86]

With a history of infidelity, scandals, drug and alcohol arrests, and marital problems, Houston finally filed for separation from Brown in September 2006 following trips to rehab. The following month, on October 16, 2006, Houston filed for divorce from Brown.[87] On February 1, 2007 Houston asked the court to fast track their divorce.[88] The divorce became finalized on April 24, 2007, with Houston granted custody of the couple's daughter.

On April 26, 2007, Brown filed court papers with the Orange County Superior Court to set aside the divorce judgement that ended his marriage to Houston. In the filing, he claims the marriage was ended under false pretenses and sought child support, possible spousal support, and a change in the judgement that gave full custody of their daughter to Houston. The papers also claim that Brown was essentially homeless at one point and severely depressed during that time. A court hearing was set for June 2007.[89] At the court hearing on January 4th, 2008, Brown failed to show up at the scheduled court date. As a result of this, the judge dismissed his appeal to overrule Houston's custody terms, leaving Houston will full custody and Brown with no custody or spousal support.[90] Brown also was fired by his lawyers after a "breakdown of communication", leaving him without an attorney.

Drug and health issues

Houston's appearance at The Michael Jackson 30th Anniversary Show in 2001 further spurred rumors of drug and health problems.

Houston's appearance at The Michael Jackson 30th Anniversary Show in 2001 further spurred rumors of drug and health problems.



Though Houston was seen as a good girl with a perfect image in the 80s and early '90s, during the late '90s many noted a change in her behavior. She was often hours late for interviews, photo shoots, rehearsals. and canceled concerts and talk-show appearances.[91][92] With the missed performances and weight loss people began to wonder if something was wrong while rumors began that there was drug use with her husband. On January 11, 2000, airport security discovered marijuana in the luggage of both Houston’s and husband Bobby Brown’s luggage at a Hawaiian airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against her and Brown as she later pleaded no contest to a possession charge and was ordered to pay £2,100 to a youth-orientated anti-drug program in place of community service,[93] but rumors of drug usage among the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston was scheduled to perform and honor the man that helped launch her career, but she canceled ten minutes before the show.[94] Shortly after, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Though her publicist cited throat problems as the reason for the cancellation, many speculated it was drugs. In Steve Pond's book "The Big Show: High Times And Dirty Dealings Backstage At The Academy Awards," it was revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant" and that while Houston was to sing "Over The Rainbow," she would start singing a different song.[95] Houston herself would later admit to being fired.[96] In an interview with Jane Magazine, Houston reportedly arrived late, seemed unfocused, had trouble keeping her eyes open, and played an imaginary piano.[97] Later that year, Houston's long time executive assistant and best friend Robyn Crawford resigned from Houston's management company.[98]

The next year, Houston made an appearance at Michael Jackson: 30th Anniversary Special. Her shockingly thin frame further spurred rumors of drug use, anorexia, and bulimia. Her publicist said "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat."[99] The singer was scheduled for a second performance the following night but canceled without explanation.[100] Shortly after, shocking rumors began that the troubled singer had died of a drug overdose. The rumor was quickly denied by Houston's camp.[101]

In late 2002, Houston did an interview with Diane Sawyer. During the prime time special, the defiant and erratic Houston spoke on various topics including her rumored drug abuse and marriage to Bobby Brown. When Sawyer showed Houston the photo of her appearance at the Michael Jackson Show, the singer replied "Well, that's a bad shot."[102] She was asked about the ongoing drug rumors and replied "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack."[103]. The line would become infamous. Houston admitted to using various substances at times and that she partied. When asked if Brown ever hit her, she replied, with Brown by her side "No, he's never hit me, no. I've hit him, in anger."[104]

Houston entered drug rehabilitation facilities in March 2004, but the following year appeared in Brown's reality TV series displaying more erratic behavior. In March 2005, Houston reentered the same drug rehab successfully completing the program. Though odd reports surface that the singer is still using drugs, her record label insists that Houston is off the drugs.[105] Recently, the singer has slowly been making her way back into the public eye looking healthy and clean.

John Houston dispute

In 2002, Houston became involved in a legal dispute with her father, and one-time manager, John Houston. Houston sued his daughter for $100 million (but lost); stating that she owed his company previously unpaid compensation for helping to guide her career, as well as for helping to manage the various controversies that had surrounded it in recent years.[106] Both of them appeared on television and disputed the other's claims.[107] John Houston died in February 2003. The lawsuit was dismissed on April 5, 2004, after Kevin Skinner, the man who claimed to own John Houston Entertainment, failed to participate in pre-trial discovery.[108]

Awards

Discography

Albums:

Compilations:

Videography

Home videos:

  • 1986; Number One Video Hits
  • 1991; Star Spangled Banner
  • 1991; Welcome Home Heroes
  • 1994; Concert for a New South Africa
  • 1999; VH1 Divas Live '99
  • 2000; The Greatest Hits
  • 2000; Fine
  • 2002; Whatchulookinat Video/Whatchulookinat Behind-the-Scenes Footage/Love to Infinity Megamix Video
  • 2004; Artist Collection: Whitney Houston

Feature Films:

Number-one songs

The following songs entered the U.S. Billboard Hot 100:

The following songs reached number-one on the UK singles chart”

  • 1985; “Saving All My Love for You”
  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1988; “One Moment in Time
  • 1992; “I Will Always Love You”

The following songs reached number-one on the U.S. Dance chart:

The following songs reached number-one on the Canadian singles chart:

  • 1986; “How Will I Know”
  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”

The following songs reached number-one on the German singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1988; “One Moment in Time”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the French singles chart:

  • 1992; “I Will Always Love You”

The following songs reached number-one on the Dutch singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the Belgium singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the Swiss singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”
  • 2000; “Could I Have This Kiss Forever”

The following songs reached number-one on the Swedish singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the Spanish singles chart:

  • 1995; “Exhale (Shoop Shoop) ”
  • 1999; “It's Not Right But It's Okay”

The following songs reached number-one on the Australian singles chart:

  • 1986; “The Greatest Love of All”
  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the New Zealand singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”"

The following songs reached number-one on the South African singles chart:

  • 1986; “Greatest Love of All”
  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1991; “All The Man That I Need”
  • 1992; “I Will Always Love You”
  • 1995; “Exhale (Shoop Shoop) ”
  • 1999; “My Love Is Your Love”

The following songs reached number-one on the Zimbabwe singles chart:

  • 1991; “All The Man That I Need”
  • 1992; “I Will Always Love You”
  • 1995; “Exhale (Shoop Shoop) ”

The following songs reached number-one on the Austrian singles chart:

  • 1992; “I Will Always Love You”

The following songs reached number-one on the Finnish singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”

The following songs reached number-one on the Norway singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the Irish singles chart:

  • 1985; “Saving All My Love for You”
  • 1992; “I Will Always Love You”

The following songs reached number-one on the Italian singles chart:

  • 1987; “I Wanna Dance with Somebody (Who Loves Me) ”
  • 1990; “I'm Your Baby Tonight”

Celine

Celine Dion

From Wikipedia, the free encyclopedia

Celine Dion
Dion singing "God Bless America" at a May 2, 2002 concert aboard the USS Harry S. Truman.
Dion singing "God Bless America" at a May 2, 2002 concert aboard the USS Harry S. Truman.
Background information
Birth name Céline Marie Claudette Dion
Born March 30, 1968 (1968-03-30) (age 39)
Charlemagne, Quebec, Canada
Origin Montreal, Quebec, Canada
Genre(s) Pop, rock
Occupation(s) Singer, songwriter
Years active 1981 – present
Label(s) 550 Music/Epic/SME Records (1986–2004)
Epic/SBMG Records (2004–2007)
SBMG Records/Columbia [2007-present]
Website www.celinedion.com

Céline Marie Claudette Dion, OC, OQ (born March 30, 1968) is a Canadian singer, and occasional songwriter and actress.Born to a large, impoverished family in Charlemagne, Quebec, Dion emerged as a teen star in the French-speaking world after her manager and future husband René Angélil mortgaged his home to finance her first record.[4] In 1990 she released the anglophone album Unison, establishing herself as a viable pop artist in North America and other English speaking areas of the world.[5]

Dion first gained international recognition in the 1980s after she won the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.[6][7] Following a series of French albums in the early 1980s, she signed on to Sony Records in 1986. With the help of her husband, she achieved worldwide success with several English and French albums, ending the decade as one of the most successful artists in pop music.[8][9] However, in 1999, at the height of her success, Dion announced a temporary retraction from entertainment in order to start a family and spend time with her husband, who had been diagnosed with cancer.[10][9] She returned to the music scene in 2002 and signed a four-year contract to perform nightly in a five-star theatrical show at the Colosseum at Caesars Palace, Las Vegas.[11][12]

Dion's music has been influenced by genres ranging from pop, soul and rock to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.[13][14][15] In 2004, after accumulating record sales in excess of 175 million, she was presented with the Chopard Diamond Award from the World Music Awards show for becoming the "Best-selling Female Artist in the World."[16][17] In April 2007 Sony BMG announced that Celine Dion had sold more than 200 million albums worldwide.[18]

Contents

Life and music career

Childhood and early beginnings

Dion's performance at the Yamaha World Popular Song Festival won her the gold medal as well as the award for being the top performer.
Dion's performance at the Yamaha World Popular Song Festival won her the gold medal as well as the award for being the top performer.

The youngest of fourteen children born to Adhémar Dion and Thérèse Tanguay, Céline Dion was raised a Roman Catholic in a poverty-stricken, but, by her own account, happy, home in Charlemagne.[19][9] Music had always been a part of the family, as she grew up singing with her siblings in her parents' small piano bar called 'Le Vieux Baril.' From an early age Dion had dreamed of being a performer;[13] In a 1994 interview with People magazine, she recalled, "I missed my family and my home, but I don't regret having lost my adolescence. I had one dream: I wanted to be a singer."[20]

At age twelve, Dion collaborated with her mother and her brother Jacques to compose her first song, "Ce n'était qu'un rêve" ("It Was Only a Dream").[19] Her brother Michel sent the recording to music manager René Angélil, whose name he discovered on the back of a Ginette Reno album.[4] Angélil was moved to tears by Dion's voice, and decided to make her a star.[19] He mortgaged his home to fund her first record, La voix du bon Dieu (a play on words "The Voice of God/The Road to God," 1981), which became a local number-one record and made Dion an instant star in Quebec. Her popularity spread to other parts of the world when she competed in the 1982 Yamaha World Popular Song Festival in Tokyo, Japan, and won the musician's award for "Top Performer" as well as the gold medal for "Best Song," with "Tellement j'ai d'amour pour toi" ("I Have So Much Love for You").[4] By 1983, in addition to becoming the first Canadian artist to receive a gold record in France for the single "D'amour ou d'amitié" ("Of Love or of Friendship"), Dion had also won several Félix Awards, including "Best Female performer" and "Discovery of the Year."[11][4] Further success in Europe, Asia, and Australia came when Dion represented Switzerland in the 1988 Eurovision Song Contest with the song "Ne partez pas sans moi" ("Don't Go Without Me") and won the contest in Dublin, Ireland. However, American success was yet to come, partly because she was exclusively a Francophone artist.[21]

At eighteen, after seeing a Michael Jackson performance, Dion told Angélil that she wanted to be a star like Jackson.[22] Though confident in her talent, Angelil realized that her image needed to be changed in order for her to be marketed worldwide.[19] Dion receded from the spotlight for a number of months, during which she underwent a physical makeover, and was sent to the École Berlitz School in 1989 to polish her English.[5] This marked the start of her English-language music career. According to an episode of VH-1's Behind The Music, she learned to speak English in just three months.

1990–1992: Career breakthrough

A year after she had learned English, Dion made her debut into the Anglophone market with Unison (1990).[4] She incorporated the help of many established musicians, including Vito Luprano and Canadian producer David Foster.[13] The album was largely influenced by 1980s soft rock music that quickly found a niche within the adult contemporary radio format. Unison hit the right notes with critics: Jim Faber of Entertainment Weekly wrote that Dion's vocals were "tastefully unadorned," and that she never attempted to "bring off styles that are beyond her."[23] Stephen Erlewine of All Music Guide declared it as, "a fine, sophisticated American debut."[24] Singles from the album included "(If There Was) Any Other Way," "The Last to Know," "Unison," and "Where Does My Heart Beat Now," a mid-tempo soft-rock ballad which made prominent use of the electric guitar. The latter became her first single to chart on the U.S. Billboard Hot 100, peaking at number four. The album established Dion as a rising singer in the United States, and across Continental Europe and Asia. In 1991, Dion was also a soloist in "Voices That Care," a tribute to American troops fighting in Operation Desert Storm.

Where Does My Heart Beat Now



Dion's real international breakthrough came when she duetted with Peabo Bryson on the title track to Disney's animated film Beauty and the Beast (1991).[6] The song captured a musical style that Dion would utilize in the future: sweeping, classically influenced ballads with soft instrumentation. Both a critical and commercial hit, the song became her second U.S. top ten single, and won the Academy Award for Best Song, and the Grammy Award for Best Pop Performance by a Duo or Group with Vocal.[13] "Beauty and the Beast" was featured on Dion's 1992 self-titled album, which, like her debut, had a strong rock influence combined with elements of soul and classical music. Owing to the success of the lead-off single and her collaboration with Foster and Diane Warren, the album was as well received as Unison. Other singles that achieved moderate success included "If You Asked Me To" (a cover of Patti LaBelle's song from the 1989 movie Licence to Kill) which peaked at number four on the U.S. Billboard Hot 100, the gospel-tinged "Love Can Move Mountains," and "Nothing Broken But My Heart." As with Dion's earlier releases, the album had an overtone of love.

Nothing Broken But My Heart


By 1992 Unison, Céline Dion, and media appearances had propelled Dion to superstardom in North America. She had achieved one of her main objectives: wedging her way into the Anglophone market and achieving fame.[21] However, while she was experiencing rising success in the U.S., her French fans in Canada criticized her for neglecting them.[25][13] She would later regain her fan base at the Félix Award show, where, after winning "English Artist of the Year," she openly refused to accept the award. She asserted that she was — and would always be— a French, not an English, artist.[26][5] Apart from her commercial success, there were also changes in Dion's personal life, as Angélil, who was twenty-six years her senior, transitioned from manager to lover. However, the relationship was kept a secret as they both feared that the public would find their relations inappropriate.[27]

1993–1995: Popularity established

In 1993 Dion announced her feelings for her manager by declaring him "the colour of [her] love" in the dedication section of her third Anglophone album The Colour of My Love. However, instead of criticizing their relationship as Dion had feared, fans embraced the couple.[13] Eventually, Angélil and Dion married in an extravagant wedding ceremony in December 1994, which was broadcast live on Canadian television.

As it was dedicated to her manager, the album's motif focused on love and romance.[28] It became her most successful record up to that point, selling more than six million copies in the U.S., two million in Canada, and peaking at number-one in many countries. The album also spawned Dion's first U.S., Canadian, and Australian number-one single "The Power of Love" (a remake of Jennifer Rush's 1985 hit), which would become her signature hit until she reached new career heights in the late 1990s.[21] Subsequent singles, such as "When I Fall in Love," a duet with Clive Griffin, and "Misled" failed to reach the upper tier of the pop charts in the U.S., but were moderately successful in Canada. The Colour of My Love also became Dion's first bona fide hit in Europe, and in particular the United Kingdom. Both the album and the single "Think Twice" simultaneously occupied the top of the British charts for five consecutive weeks. "Think Twice," which remained at number one for seven weeks, eventually became the fourth single by a female artist to sell in excess of one million copies in the U.K.,[29] while the album was eventually certified five-times platinum for two-million copies sold.

The Power of Love


Dion kept to her French roots and continued to release many Francophone recordings between each English record.[30] These included Dion chante Plamondon (1991); À l'Olympia (1994), a live album that was recorded during one of Dion's concerts at the Olympia Theatre in Paris; and D'eux (1995 — also known as The French Album in the United States), which would go on to become the best-selling French album of all time.[30] As these albums were in French, the worldwide commercial success was limited. However, Dion's Francophone fans embraced each release,[31] and generally, they achieved more credibility than her Anglophone works.[25]

The mid-1990s was a transitional period for Dion's musical style, as she slowly diverged from strong rock influences and transitioned into a more pop and soul style (though the electric guitar remained a central part of her music). Her songs began with more delicate melodies that used softer instrumentations, and built up to strong climaxes, over which her vocals could be displayed.[32] This new sound received mixed reviews from critics, with Arion Berger of Entertainment Weekly accusing her of preferring vocal acrobatics over dynamics and embarking on a trend of uninspiring, "crowd-pleasing ballads."[33] Resultantly, she earned frequent comparisons to artists such as Whitney Houston and Mariah Carey.[34] There were also signs that her work was becoming more clichéd: critically, The Colour of My Love was not consistent with earlier works. However, while critical praise declined, Dion's releases performed increasingly well on the international charts, and in 1996 she won the World Music Award for "World’s Best-selling Canadian Female Recording Artist of the Year" for the third time. By the mid-1990s, she had established herself as one of the best-selling artists in the world, among female performers such as Carey and Houston.[36]

1996–1999: Worldwide commercial success

Falling into You (1996), Dion's fourth Anglophone album, presented the singer at the height of her popularity, and showed a further progression of her music.[27] In an attempt to reach a wider audience, the album combined many elements, such as ornate orchestral frills, African chanting, and outlandish musical effects. Additionally, instruments like the violin, Spanish guitar, trombone, the cavaquinho, and saxophone created a new sound.[37] The singles encompassed a variety of musical styles. The title track "Falling into You" and "River Deep, Mountain High" (a Tina Turner cover) made prominent use of percussion instruments; "It's All Coming Back to Me Now" (a remake of Jim Steinman's song) and a remake of Eric Carmen's "All by Myself" kept their soft-rock atmosphere, but were combined with the classical sound of the piano; and the number-one single "Because You Loved Me," which was written by Diane Warren, was a maudlin ballad that served as the theme to the 1996 film Up Close & Personal.[36] Falling into You garnered career-best reviews for Dion. While Dan Leroy wrote that it was not very different from her previous work,[38] and Stephen Holden of The New York Times and Natalie Nichols of Los Angeles Times wrote that the album was formulaic, other critics such as Chuck Eddy of Entertainment Weekly, Stephen Thomas Erlewine of AMG, and Daniel Durchholz lavished the album as "compelling," "passionate," "stylish," "elegant," and "remarkably well-crafted."[41][37] Falling Into You became Dion's most critically and commercially successful album: it topped the charts in many countries and became one of the best-selling albums of all time.[42] It also won Grammy Awards for Best Pop Album, and the academy's highest honor Album of the Year.[43] Dion's status on the world stage was further solidified when she was asked to perform "The Power of the Dream" at the opening ceremonies of the 1996 Atlanta Olympic Games.[44] In March 1996, Dion launched the Falling into You Tour in support of her new album, giving concerts around the world for over a year.




Dion followed Falling into You with Let's Talk About Love (1997), which was publicized as its sequel.[32] The recording process took place in London, New York City, and Los Angeles, and featured a host of special guests, such as Barbra Streisand on "Tell Him"; the Bee Gees on "Immortality"; and world-renowned tenor Luciano Pavarotti on "I Hate You Then I Love You."[27][45] Other musicians included Carole King, Sir George Martin, and Jamaican singer Diana King, who added a reggae tinge to "Treat Her Like a Lady."[46] As the name suggests, the album had the same theme as Dion's preceding albums—"love." However, emphasis was also placed on "brotherly love" with "Where Is the Love" and "Let's Talk About Love."[45] The most successful single from the album became the classically influenced ballad "My Heart Will Go On," which was composed by James Horner, and produced by Horner and Walter Afanasieff.[43] Serving as the love theme for the 1997 blockbuster film Titanic, the song topped the charts across the world, and became Dion's signature song.[47] The singles "My Heart Will Go On" and "Think Twice" made her the only female artist in the UK to have two singles to sell more than a million copies.[48] In support of her album, Dion embarked on the Let's Talk About Love Tour between 1998 and 1999, which received mixed reviews.

Dion ended the 1990s with two more successful albums— the Christmas album These Are Special Times (1998), and the compilation album All the Way... A Decade of Song (1999).[8] On These Are Special Times, Dion became more involved in the writing process. The album was her most classically influenced yet, with orchestral arrangements found on virtually every track.[49] "I'm Your Angel," a duet with R. Kelly, became Dion's fourth and final U.S. number one single, and another hit single across the world. All the Way... A Decade of Song drew together her most successful hits coupled with seven new songs, including the lead off single "That's the Way It Is," a cover of Roberta Flack's "The First Time Ever I Saw Your Face," and "All the Way," a duet with Frank Sinatra.[8]

All The Way



By the end of the 1990s, Celine Dion had sold more than 100 million albums worldwide, and had won a slew of industry awards.[8] Her status as one of the biggest divas of contemporary music was further solidified when she was asked to perform on VH1's Divas Live special in 1998, with superstars Aretha Franklin, Gloria Estefan, Shania Twain, and Mariah Carey. That year she also received two of the highest honors from her home country: "Officer of the Order of Canada for Outstanding Contribution to the World of Contemporary Music" and "Officer of the National Order of Quebec."[30] A year later she was inducted into the Canadian Broadcast Hall of Fame, and was honoured with a star on Canada's Walk of Fame.[50] She also won the Grammy Awards for "Best Female Pop Vocal Performance" and the most coveted "Record of the Year" for "My Heart Will Go On" (the song won four awards, but two were presented to the songwriters).[51]

Compared to her debut, both the quality and sound of Dion's music had also changed significantly. The soft-rock influences on her earlier releases were no longer prominent; they were replaced by more soul/adult contemporary styles. However, the theme of "love" remained in all her releases, and this led to many critics dismissing her work as banal.[52] In a scathing review of Let's Talk About Love, Rob O'Connor wrote:

What never ceases to amaze me is how the trite-est, most cliché-ridden music often takes an assembly-line of lauded music industry professionals to perfect... Sinking ships are what I imagine as this tune ["My Heart Will Go On"] plows onward of four-plus minutes, and this album feels as if were never to end. Is it no wonder why I have such fears of going to the dentist?[53]

Dion was also criticized for some of her remakes and duets. "The First Time Ever I Saw Your Face" and "All the Way" were described as disastrous and "creepy" by both Allison Stewart of The Chicago Tribune and Erlwine of All Music Guide.[54] Even though she was still praised for her vocal abilities (Elysa Gardner of L.A Times called her voice a "technical marvel,")[14] the much-favored vocal restraint heard on her early releases had also waned, and Steve Dollar, in reviewing These Are Special Times wrote that Dion was a "vocal Olympian for whom there ain't no mountain—or scale—high enough."[55]

2000–2002: Career break

After releasing and promoting thirteen albums during the 1990s, Dion stated that she needed to settle down, and announced on her latest album All the Way... A Decade of Song, that she needed to take a step back from the spotlight and enjoy life.[9][56] Angélil's diagnosis with throat cancer also prompted her to hiatus.[57] While on break, Dion was unable to escape the spotlight. In 2000, the National Enquirer published a false story about the singer. Brandishing a picture of Dion and her husband, the magazine misquoted Dion, printing the headline, "Celine — 'I'm Pregnant With Twins!'"[58] Dion later sued the magazine for more than twenty million dollars.[59] The editors of the Enquirer printed an apology and a full retraction to Dion in the next issue, and donated money to the American Cancer Society in honor of Dion and her husband. A year after the incident, after undergoing fertility treatments, Dion gave birth to a son, René-Charles Dion Angélil, on January 25, 2001 in Florida.[60][61]

Following the September 11, 2001 attacks, Dion returned to the music scene, and in a televised performance sang "God Bless America" at the benefit concert America: A Tribute to Heroes. Chuck Taylor of Billboard wrote, "the performance... brings to mind what has made her one of the celebrated vocalists of our time: the ability to render emotion that shakes the soul. Affecting, meaningful, and filled with grace, this is a musical reflection to share with all of us still searching for ways to cope."[62]

God Bless America




2002–2003: Return to music

Dion's aptly titled A New Day Has Come, released in March 2002, ended her three-year break from the music industry. The album was Dion's most personal yet, and established a more mature side of Dion with the songs "A New Day Has Come," "I'm Alive," and "Goodbye's (The Saddest Word)," a change that resulted from her new-found maternal responsibilities, because, in her own words, "becoming a mother makes you a grown-up."[56] She stated, "A New Day Has Come, for Rene, for me, is the baby. It has everything to do with the baby...That song ["A New Day Has Come"] represents very well the mood I'm feeling right now. It represents the whole album."[10] While the album achieved commercial success, critical comments suggested that it was "forgettable" and the lyrics were "lifeless."[63] Both Rob Sheffield of Rolling Stone magazine, and Ken Tucker of Entertainment Weekly, stated that Dion's music had not matured during her break, and classed her music as trite and mediocre.[64][65] Sal Cinquemani of Slant magazine called the album "a lengthy collection of drippy, gooey pop fluffer-nutter."

I'm alive


The upbeat tempo of "One Heart" and the bright colours and "party" style of the music video were a new direction to Céline Dion's work.

The upbeat tempo of "One Heart" and the bright colours and "party" style of the music video were a new direction to Céline Dion's work.

Drawing inspiration from personal experiences, Dion released One Heart (2003), an album that represented her appreciation for life.[67] The album largely consisted of dance music — a deviation from the soaring, melodramatic ballads, for which she had once been given mixed reception. Although it achieved moderate success, One Heart hinted at Dions' inability to overcome the creative wall that she had hit, and words such as "predictable" and "banal" appeared even in the most lenient reviews.[68][69] A cover of Roy Orbison's "I Drove All Night," released to launch her new advertising campaign with Chrysler,[70] incorporated dance-pop and rock and roll and was called reminiscent of Cher's 1980s work. However, it was dismissed as Dion trying to please her sponsors.[71]

By the mid 2000s Dion's music had changed to the point where her releases possessed maternal overtones. Miracle (2004), a multimedia project conceived by Dion and photographer Anne Geddes, had a theme centering on babies and motherhood. The album was saturated with lullabies and other songs of maternal love and inspiration, the two most popular being covers of Louis Armstrong's "What a Wonderful World" and John Lennon's "Beautiful Boy." The reviews for Miracle were generally weak: while Charles Taylor of Billboard magazine wrote that the single "Beautiful Boy" was "an unexpected gem" and called Dion "a timeless, enormously versatile artist,"[72] Chuck Arnold of People Magazine labeled the album as excessively sentimental,[73] while Nancy Miller of Entertainment Weekly opined that "the whole earth-mama act is just opportunism."[74]

The Francophone album 1 fille & 4 types (1 Girl & 4 Guys, 2003), fared better than her first two comebacks, and showed Dion trying to distance herself from the "diva" image. She recruited Jean-Jacques Goldman, Gildas Arzel, Eric Benzi, and Jacques Veneruso, with whom she had previously worked on two of her best selling French albums S'il suffisait d'aimer and D'eux. Labeled "the album of pleasure" by Dion herself, the cover showed Dion in a simple and relaxed manner, contrary to the choreographed poses usually found on her album covers. The album achieved relative critical success: reviewer Stephen Erlwine of All Music Guide wrote that Dion was "getting back to pop basics and performing at a level unheard in a while."[75]

Though her albums were relatively successful, signs of a decline began to appear in the poorer critical reception of The Collector's Series, Volume One (2000), A New Day Has Come (2002), and One Heart (2003). The mass appeal of Dion's later works had declined due to the nature of the themes. Her songs received less airplay as radio became less embracing of balladeers like Dion, Carey and Houston, and was focused on more up-tempo, Urban/Hip-hop songs.[76] However, by 2005 Dion had accumulated sales of more than 175 million records, and received the Chopard Diamond World Music award for becoming the best-selling female artist in the world.[16][17][77]

2003–2007: A New Day... Live in Las Vegas

Dion performing "I'm Alive" during her show A New Day... in Las Vegas.
Dion performing "I'm Alive" during her show A New Day... in Las Vegas.

In early 2002 Dion had announced a three-year, 600-show contract to appear five nights a week in an entertainment extravaganza, A New Day..., at Caesars Palace, Las Vegas.[12] This move was seen as "one of the smartest business decisions in years by any major recording artist" given the relatively poor performance of her current releases.[78] She conceived the idea for the show after seeing O by Franco Dragone early in her break from recording, and began on March 25, 2003, in a 4000-seat arena designed for her show.[12] The show, put together by Dragone, was a combination of dance, music, and visual effects. It included Dion performing her biggest hits against an array of dancers and special effects.

Reviewer Mike Weatherford felt that, at first, Dion was not as relaxed as she should be, and at times, it was hard to find the singer among the excessive stage ornamentations and dancers. However, he noted that the show had become more enjoyable, due to Dion's improved stage-presence and simpler costumes.[47] The show was also well-received by audiences, despite the complaints of expensive tickets; the show sold out almost every night since its 2003 opening. According to Pollstar, Dion sold 322,000 tickets and grossed US$43.9 million in the first half of 2005, and by July 2005, she had sold out 315 out of 384 shows.[79] By the end of 2005, Dion grossed more than US$76 million, placing sixth on Billboard's Money Makers list for 2005.[80] A New Day... was the 6th biggest selling tour in America in 2006.[81] Because of the show's success, Dion's contract was extended into 2007 for an undisclosed sum. On January 5, 2007 it was announced that the show would end on December 15, 2007, with tickets for the period after October 2007 having gone on sale from March 1.[82] The Live in Las Vegas - A New Day... DVD was released on December 10, 2007 in Europe and the following day in North America.[83]

2005 –present: Back to studio

In 2005, Dion released her first comprehensive greatest hits album in French, On ne change pas, which features three new songs, including a duet with Il Divo called "I Believe in You" and two other new song. The Album debuted at number 1 in France and set a record for a compilation album selling 109,000 copies in the first week and has went on to sell 1.5 million copies worldwide. A dvd Compilation was also released with the same title On ne change pas and was a big success in France.

Her latest French language album, D'elles, released on May 21, 2007, debuted at the top of the Canadian album charts, selling 72,200 copies in its first week. It marked her tenth number-one album in the SoundScan era, and her eighth to debut at the top position. In Canada, the album has been certified 2x platinum, and within the first week has already shipped half a million units worldwide.[84] D'Elles also reached No. 1 in France and Belgium. The first single "Et s'il n'en restait qu'une (je serais celle-là)" debuted at the top of the French singles chart a month earlier.

On October 27, 2007 Dion appeared on the fourth series of the British talent contest, The X Factor, as a mentor to the show's contestants. She also performed "Taking Chances" on the live show which was her first UK performance for five years.[85] Dion released her latest English album Taking Chances on November 12 in Europe, and on the 13th in North America.[86] Her first studio album since 2003's One Heart, the album features pop, R&B, and rock inspired music.[87] Dion has collaborated with John Shanks, ex-Evanescence guitarist Ben Moody, as well as Kristian Lundin, Peer Astrom, Linda Perry, and R&B singer-songwriter Ne-Yo.[88][89] Dion stated, "I think this album represents a positive evolution in my career [...] I'm feeling strong, maybe a little gutsier than in the past, and just as passionate about music and life as I ever was."[90] Dion will launch her year-long worldwide Taking Chances Tour on February 14, 2008 in South Africa.[91]

Artistry and image

Dion grew up listening to the music of Aretha Franklin, Michael Jackson, Carole King, Anne Murray, Barbra Streisand, and the Bee Gees, all of whom she would eventually collaborate with. During her younger years, which she spent performing in her parents' piano bar along with her other siblings, she also performed many songs by Ginette Reno and other popular Quebecois artists. She has also expressed appreciation for Édith Piaf, Sir Elton John, and opera singer Luciano Pavarotti, as well as many soul singers of the 1960s, 70's and 80's, including Roberta Flack, Etta James and Patti Labelle, whose songs she would later rerecord. Her English-language material has been influenced by numerous genres, including pop, rock, gospel, R&B and soul, and her lyrics focus on themes of poverty, world hunger, and spirituality, with an overemphasis on love and romance.[28][45] After the birth of her child, her work also began to emphasize maternal bond and brotherly love.

Dion has faced considerable criticism from many critics, who state that her music often retreats behind pop and soul conventions, and marked by excessive sentimentality.[5][52][53] According to Keith Harris of Rolling Stone magazine, "[Dion's] sentimentality is bombastic and defiant rather than demure and retiring....[she] stands at the end of the chain of drastic devolution that goes Aretha-Whitney-Mariah. Far from being an aberration, Dion actually stands as a symbol of a certain kind of pop sensibility — bigger is better, too much is never enough, and the riper the emotion the more true."[92] Dion's francophone releases, by contrast, tend to be deeper and more varied than her English releases, and consequently have achieved more credibility.[93][25]

Dion is often regarded as one of pop music's greatest and most influential voices[94] [25][5] and according to some sources, she possesses a five octave range.[93][95] In MTV's "22 Greatest Voices in Music" countdown, she placed ninth (sixth for a female), and she was also placed fourth in Cove magazine's list of "The 100 Outstanding Pop Vocalists."[15][96] Upon her debut, many critics had welcomed her restrained vocal inflections, and she was praised for her technical virtuosity and intensity. As Charles Alexander of Time writes, "Her voice glides effortlessly from deep whispers to dead-on high notes, a sweet siren that combines force with grace."[21] As her music progressed, however, Dion's vocal performances came to resemble more closely those of her contemporaries, especially Whitney Houston and Mariah Carey[97], and she was heavily criticized for oversinging and for lacking the emotional intensity that once was a part of her earlier work.[55][40] One critic noted that the emotion, "seems to have been trained right out of her lovely voice," leaving her with "more voice than heart."[33]

Many critics have stated that Dion's involvement in the production aspect of her music is fundamentally lacking, which results in her work being overproduced[93] and impersonal.[25] Additionally, while she came from a family in which all of her siblings were musicians, she never learned to master any musical instruments, although it does appear she can play the piano to an extent (based upon a video released of the recording sessions for her "Let's talk about love" album. However, she did help to compose many of her earlier French songs, and had always tried to involve herself with the production and recording of her albums. On her first English album, which she recorded before she had a firm command of the English language, she expressed disapproval of the record, which, according to her, could have been avoided if she had assumed more creative input.[25] By the time she released her second English album Celine Dion, she had assumed more control of the production and recording process, hoping to dispel earlier criticisms. She stated, "On the second album I said, 'Well, I have the choice to be afraid one more time and not be 100 percent happy, or not be afraid and be part of this album.' This is my album."[25] She would continue to involve herself in the production of subsequent releases, helping to write a few of her songs on Let's Talk About Love (1997) and These Are Special Times (1998).[100]

Despite her success, Dion is often the subject of media ridicule and parody. She is frequently impersonated on shows like MADtv, Saturday Night Live and South Park for her strong accent, as well as her conservative nature and on-stage movements. She is also heavily mocked in her home country of Canada on popular shows Royal Canadian Air Farce and This Hour Has 22 Minutes. However, Dion has stated that she is unaffected by the comments, and has even stated that she is flattered that people take the time to impersonate her.[56] She even invited Ana Gasteyer, who parodied her on SNL, to appear on stage during one of her performances.

Dion is rarely the center of media controversies. However, in 2005, following the Hurricane Katrina disaster, she appeared on Larry King Live and tearfully criticized U.S. President George W. Bush regarding the Iraq War and his slow response in aiding the victims of Hurricane Katrina: "How come it's so easy to send planes in another country, to kill everyone in a second, to destroy lives? We need to be there right now to rescue the rest of the people."[101] She later claimed, "When I do interviews with Larry King or the big TV shows like that, they put you on the spot, which is very difficult. I do have an opinion, but I'm a singer. I'm not a politician."[102]

Other activities

Dion became an entrepreneur with the establishment of her franchise restaurant "Nickels" in 1990. She has since divested her interests in the chain and is no longer affiliated with Nickels as of 1997. She also has a range of eyewear and a line of perfume, manufactured by Coty, Inc..[103][104][105] In October 2004, Canada's national air carrier Air Canada hired Dion as part of the new promotional campaign as the airline unveiled new in-flight service products and new aircraft livery. "You and I," the theme song sung by Dion, was written by advertising executives working for Air Canada.[106]

Celine Dion signed a deal with Coty to release Celine Dion Parfums. Dion is preparing to release her 5th fragrance "Sensational" in the spring. Recently Coty and Celinedion.com released a statement for the premier of the new frangrance which stated "As one of the industry's very first celebrity endorsed fragrances, Celine Dion has played a major role in establishing the now popular celebrity segment of the fragrance industry" stated by Bernd Beetz, CEO Coty, Inc." Since its creation in 2002, Celine Dion Fragrances have made over $500 million in Retail sales.[107]

Dion has actively supported many charity organizations worldwide. She has promoted the Canadian Cystic Fibrosis Foundation (CCFF) since 1982 and became the foundation's National Celebrity Patron in 1993.[108] She has an emotional attachment to the foundation; her niece Karine succumbed to the disease at the age of sixteen. In 2003, Dion joined a number of other celebrities, athletes and politicians, including Josh Groban and Yolanda Adams, to support "World Children's Day", a global fundraising effort sponsored by McDonald's. The effort raised money from more than 100 countries and benefited many orphanages and children's health organizations. Dion has also been a major supporter of the T.J. Martell Foundation, the Diana Princess of Wales Memorial Fund, and many health and education campaigns. She also donated $1 million to the victims of Hurricane Katrina, and held a fund-raising event for the victims of the 2004 Asian Tsunami, raising more than $1 million.[109]

Selected discography

The following is a selective list of Dion's Anglophone and Francophone releases. To view an exhaustive list of her discography, see Celine Dion albums discography and Celine Dion singles discography.

English-language studio albums

French-language studio albums

Singles

Year Single Peak positions
CAN U.S. UK FRA
1990 "Where Does My Heart Beat Now" 6 4 72 20
1992 "If You Asked Me To" 3 4 57
"Beauty and the Beast" (duet with Peabo Bryson) 2 9 9
1993 "The Power of Love" 1 1 4 3
"Un garçon pas comme les autres (Ziggy)" 2
1994 "Think Twice" 14 95 1
1995 "Pour que tu m'aimes encore" 7 1
"Je sais pas" 1
1996 "Because You Loved Me" 1 1 5 19
"It's All Coming Back to Me Now" 2 2 3 13
1997 "All by Myself" 4 6 5
"Tell Him" (duet with Barbra Streisand) 12 3 4
1998 "The Reason" 11 1
"My Heart Will Go On" 14 1 1 1
"Immortality"(duet with the Bee Gees) 5 15
"I'm Your Angel" (duet with R. Kelly) 37 1 3 97
"S'il suffisait d'aimer" 4
2000 "I Want You to Need Me" 1
2001 "Sous le vent" (duet with Garou) 14 1
2002 "A New Day Has Come" 2 22 7 23
2003 "I Drove All Night" 1 45 27 22
"Tout l'or des hommes" 2 3
2005 "Je ne vous oublie pas" 2
2007 "Et s'il n'en restait qu'une (je serais celle-là)" 1
Number of number-one singles 4 4 2 6

Tours

Year Title Format
1983–1984 Les chemins de ma maison tournée None
1985 C'est pour toi tournée Vinyl Céline Dion en concert
1988 Incognito tournée None
1990–1991 Unison Tour VHS Unison
1992–1993 Celine Dion Tour None
1994–1995 The Colour of My Love Tour DVD, VHS The Colour of My Love Concert; CD À l'Olympia
1995 D'eux Tour DVD, VHS Live à Paris; CD Live à Paris
1996–1997 Falling into You Tour VHS Live in Memphis
1998–1999 Let's Talk About Love Tour DVD, VHS Au cœur du stade; CD Au cœur du stade
2003–2007 A New Day... DVD Live in Las Vegas - A New Day...; CD A New Day... Live in Las Vegas
2008–2009 Taking Chances Tour None

Filmography