Friday, February 8, 2008

Alicia

Alicia Keys

From Wikipedia, the free encyclopedia

Alicia Keys
Alicia Keys performing live in Frankfurt, Hesse, Germany in 2002
Alicia Keys performing live in Frankfurt, Hesse, Germany in 2002
Background information
Birth name Alicia J. Augello-Cook
Also known as Lellow
Born January 25, 1980 (1980-01-25) (age 28)[1] or
January 25, 1981 (1981-01-25) (age 27)[2]
Manhattan, New York City, New York, United States
Genre(s) R&B, soul, neo soul, jazz
Occupation(s) Singer, songwriter, pianist, composer, arranger, record producer, actress, music video director, philanthropist, author
Instrument(s) Singing, piano/keyboards
Years active 2001–present
Label(s) Columbia, J
Influences Roberta Flack, Marvin Gaye, Gladys Knight, Isaac Hayes, Prince, Sade, Nina Simone, Stevie Wonder, Mary J. Blige, Michael Jackson, Janet Jackson, The Notorious B.I.G., D'Angelo, Maxwell, Jay-Z, Erykah Badu, Lauryn Hill
Website www.aliciakeys.com

Alicia Keys (born Alicia J. Augello-Cook on January 25, 1980[1] or 1981[2]) is an American R&B, soul, and neo soul singer, songwriter, pianist, record producer, actress, music video director, philanthropist, and author who has sold over forty-one million albums and singles worldwide as of 2007, and has won numerous awards, including nine Grammy Awards, eleven Billboard Music Awards, and three American Music Awards.

Contents

Early life

Keys was born in the Manhattan neighborhood of Harlem, in New York City, New York, to Teresa "Terri" Augello, a paralegal and part-time actress, and Craig Cook, a flight attendant.[3] Keys' mother is of Irish, Scottish,[4] and Italian descent and her father is Jamaican.[5]

Keys' parents separated during her early childhood, and she was subsequently raised by her mother during her formative years in Hell's Kitchen, also in Manhattan.[6] In 1985, Keys and a group of other girls played the parts of Rudy Huxtable's sleepover guests in an episode of The Cosby Show called "Slumber Party".[7]a[›] She began playing the piano when she was seven, learning classical music by composers such as Beethoven, Mozart, and her favorite, Chopin.[8]

Keys graduated from the Professional Performing Arts School, a prestigious high school in Manhattan, as valedictorian at the age of sixteen. Although accepted to Columbia University, she decided to drop out and pursue her musical career. Keys signed a demo deal with Jermaine Dupri and his So So Def label, then distributed by Columbia Records. She co-wrote and recorded a song entitled "Dah Dee Dah (Sexy Thing)", which appeared on the soundtrack to the 1997 blockbuster, Men in Black. The song was Keys' first professional recording; however, it was never released as a single and her record contract with Columbia Records ended quickly. Keys later met Clive Davis, who signed her to Arista Records, which has since disbanded. Following Davis to his newly-formed J Records label, she recorded the songs "Rock wit U" and "Rear View Mirror", featured on the soundtracks to the films Shaft (2000) and Dr. Dolittle 2 (2001) respectively. Keys then released her debut album, Songs in A Minor.

Music career

Songs in A Minor (2001)

Selling over 235,000 copies in its first week (more than 50,000 of those on its first day), Songs in A Minor, released on June 5, 2001, went on to sell over ten million units worldwide,[9] and established Keys' popularity both outside and inside the U.S., where she became the best-selling new artist of 2001 (as well as the best-selling R&B artist). The album's first single, "Fallin'", gained radio airplay on many different radio formats and spent six weeks at number one on the U.S. Billboard Hot 100. Keys performed Donny Hathaway's "Someday We'll All Be Free" at the America: A Tribute to Heroes televised benefit concert following the September 11, 2001 attacks. Another single from Songs in A Minor, "A Woman's Worth", made the top ten in the U.S. as well. Keys and the album won five Grammy Awards in 2002, including "Best New Artist" and "Song of the Year" for "Fallin'". Later, on October 22, 2002, Keys released Remixed & Unplugged in A Minor, a re-issue of Songs in A Minor, which includes eight remixes and seven unplugged versions of some of the songs off her debut album.

Fallin'




Critical reviews of the album were mostly positive.[10] Keys' work had a sound similar to 1970s soul singers such as Curtis Mayfield, Marvin Gaye, and Stevie Wonder along with hip hop influences like those apparent in neo soul artists such as Lauryn Hill, Erykah Badu, and D'Angelo.

By that time, Keys wrote, produced, played the piano, and sang background for Christina Aguilera's song "Impossible", from the latter's 2002 album Stripped.

The Diary of Alicia Keys (2003)

Keys followed up her debut with The Diary of Alicia Keys, released on December 2, 2003. The album was hailed by critics, and debuted at number one in the U.S., selling over 618,000 copies its first week of release, becoming the sixth biggest-selling album by a female artist and the second biggest-selling album by a female R&B artist. To date, it has sold nine million copies worldwide.[11]

The singles "You Don't Know My Name" and "If I Ain't Got You" both reached the top five of the Billboard Hot 100 chart, and another single, "Diary", entered the top ten. The classical/hip hop-flavored "Karma" was less successful, peaking at number twenty on the Billboard Hot 100 but more successful on the Top 40 Mainstream peaking at number three. "If I Ain't Got You" became the first single by a female artist to remain on the sixty-three-year-old Billboard Hot R&B/Hip-Hop Songs chart for more than one year, surpassing Mary J. Blige's "Your Child", which had remained on the chart for forty-nine weeks. Keys went on to become the best-selling female R&B artist of 2004.

YOU DON´T KNOW MY NAME




At the 2004 MTV Video Music Awards, Keys won "Best R&B Video" for "If I Ain't Got You", and also led Lenny Kravitz and Stevie Wonder in their version of Wonder's "Higher Ground". In 2005, Keys won her second consecutive award for "Best R&B Video", this time for the video for "Karma".

At the 2005 Grammy Awards, she performed the album's second single, "If I Ain't Got You", and then joined Jamie Foxx and Quincy Jones in a rendition of "Georgia on My Mind", the Hoagy Carmichael song made famous by Ray Charles in 1960. That evening, she won four Grammy Awards: "Best R&B Album" for The Diary of Alicia Keys, "Best Female R&B Vocal Performance" for "If I Ain't Got You", "Best R&B Song" for "You Don't Know My Name", and "Best R&B Performance by a Duo or Group with Vocals" for "My Boo" with Usher. She was also nominated for "Album of the Year" for The Diary of Alicia Keys, "Song of the Year" for "If I Ain't Got You", "Best R&B Performance by a Duo or Group with Vocals" for "Diary" (featuring Tony! Toni! Toné!), and "Best R&B Song" for "My Boo".

Unplugged (2005)

Keys performed and taped her installment of the MTV Unplugged series on July 14, 2005 at the Brooklyn Academy of Music.[12] During this live session, Keys added brand-new arrangements to her original songs such as "A Woman's Worth" and the funk-driven "Heartburn", and performed a few choice covers. Part of Keys' audience also included her guest performers; she collaborated with rappers Common and Mos Def on "Love It or Leave It Alone", reggae artist Damian Marley on "Welcome to Jamrock", and Maroon 5 lead singer Adam Levine on a cover of The Rolling Stones' 1971 "Wild Horses".

A woman's worth




In addition to a cover of "Every Little Bit Hurts", previously performed by singers such as Aretha Franklin and Brenda Holloway, Keys also premiered two new original songs: "Stolen Moments", which she co-wrote with producer Lamont Green, and "Unbreakable", the album's lead single, which peaked at number four and number thirty-four on the Billboard Hot R&B/Hip-Hop Songs and the Hot 100 respectively. It was more successful on the Billboard Hot Adult R&B Airplay, where it stayed at number one for eleven weeks in late 2005.[13] The session was released on CD and DVD on October 11, 2005. Known simply as Unplugged, the album peaked at number one on the U.S. Billboard 200 chart with 196,000 units sold in its first week of release. So far the album has sold one million copies in the United States[14] and two million copies worldwide.[9] The debut of Keys' Unplugged was the highest debut for an MTV Unplugged album since Nirvana's 1994 MTV Unplugged in New York and the first Unplugged by a female artist to debut at number one. It was nominated for four Grammy Awards in 2006: "Best Female R&B Vocal Performance" for "Unbreakable", "Best Traditional R&B Vocal Performance" for "If I Was Your Woman", "Best R&B Song" for "Unbreakable", and "Best R&B Album". It also won three NAACP Image Awards: "Outstanding Female Artist", "Outstanding Song" for "Unbreakable", and "Outstanding Music Video" for "Unbreakable".[15]

As I Am (2007)

Since late 2006, Keys worked on her third studio album, As I Am—as confirmed in a red-carpet interview at the 2007 BET Awards on June 26[16]—, released on November 13, 2007. Keys has talked to MTV about the album: "It's coming together incredibly. I am in love with this album. It's very fresh and new".[17] Rolling Stone magazine reported in December 2005 that Keys and her long-term songwriting partner Kerry "Krucial" Brothers would start working seriously on the album in the later half of 2006.[18]

As I Am debuted at number one on the Billboard 200 with first-week sales of 742,000 copies, gaining Keys the second largest sales week of 2007 and the largest sales week for a female solo artist since Norah Jones' 2004 album Feels Like Home, and also set a record as Keys' largest sales week of her career. This managed to tie Keys with Britney Spears for the most consecutive number-one debuts on the Billboard 200 by a female artist (four). In addition, the album also debuted at number one on the United World Chart selling 876,000. Since then, As I Am has sold over one million copies in two weeks of its debut, selling 510,000 copies in the second week. The lead single "No One" debuted at number seventy-one on the Billboard Hot 100, and has since peaked at number one, becoming Keys' third number one on the chart, and was also her fifth number one on the Hot R&B/Hip-Hop Songs. The album's second single, "Like You'll Never See Me Again", was recently released.

No One


Keys sang the outro to John Mayer's song "Gravity" on his album Continuum and in a surprise appearance with him at his sold-out show at Madison Square Garden on February 28, 2007.[19]

Keys has opened a new recording studio in Long Island, New York called The Oven Studios, which she co-owns with her production and songwriting partner Kerry "Krucial" Brothers.[20] The studio was designed by renowned studio architect John Storyk of WSDG, designer of Jimi Hendrix' Electric Lady Studios. Keys and Brothers are the co-founders of KrucialKeys Enterprises,[18] a production and songwriting team who assisted Keys in creating her award-winning albums as well as create music for other artists.

Film and television career

During the early 2000s, Keys made small cameos in such television series as Charmed and American Dreams. In early October 2006, she played the voice of Mommy Martian in the "Mission to Mars" episode of the children's television series The Backyardigans, in which she sang the song "Almost Everything Is Boinga Here". Keys guest starred as herself in the "One Man Is an Island" episode of the drama series Cane, first aired on November 6, 2007.

Keys made her big-screen debut in early 2007 in the crime film Smokin' Aces, co-starring as an assassin named Georgia Sykes opposite Ben Affleck, Ray Liotta, Common, Andy Garcia, Taraji P. Henson, Jeremy Piven and Ryan Reynolds. Keys received much praise from her co-stars in the film; Reynolds said that Keys had "natural" acting ability as he was surprised she had not starred in films before.[21]

Keys earned further praise for her second film outing, The Nanny Diaries—based on the 2002 novel of the same name by Emma McLaughlin and Nicola Kraus—, released on August 24, 2007, in which she co-stars alongside Scarlett Johansson and Chris Evans as Lynette, Johansson's character Annie's best friend. Brooklyn's Kingsborough Community College was used to film the college graduation scene for the film.[22]

Keys and her long-term manager Jeff Robinson have signed a first-look film production deal to develop live-action and animated projects with Disney, Variety reports. Their first film, a remake of the 1958 comedy Bell, Book and Candle, will star Keys as a witch who casts a love spell to lure a rival's fiancé.[23] Keys and Robinson have also formed a television production company called Big Pita.[24] Their first project will be a CW Network TV series inspired by Keys' experiences as a biracial child growing up in New York, similar to the network's Everybody Hates Chris.[5] Keys has been tapped to executively produce an upcoming TV drama. The title and airing date are presently unconfirmed.[25] Keys and Robinson said they will develop live-action and animated projects at their company, Big Pita, Little Pita, with Keys participating as producer, thesp, banner spearheading soundtrack, and music supervision.

Keys has signed to star in a film adaptation of Sue Monk Kidd's acclaimed 2003 bestseller The Secret Life of Bees alongside Jennifer Hudson and Queen Latifah, expected to be released in 2008 via Fox Searchlight. Gina Prince-Bythewood will direct the film, whose filming is to begin in January in North Carolina.[26] [27] [28]

Keys will also play 1940s biracial piano child prodigy Philippa Schuyler in an upcoming film entitled Composition in Black and White.[29] It is based on the 1995 biographical book of the same name by Kathryn Talalay and follows the story of Philippa Schuyler. "The challenge, in order to actually be able to play classical piano as a woman of mixed race, was by far more than I could ever imagine", Keys said. "That's what intrigued me about that role". The biopic will tell the difficult tale of Schuyler's controversial career, love-hate relationship with her mother, and the black community, her second career as a writer, and her eventual death in a helicopter accident. "Her story is very deep, even up to the point where the relationship between her and her mother gets very strained and she chooses to go to Europe and pass as a Spanish woman in order to be able to play, in order to be able to live a more normal life", Keys said, adding that she and Halle Berry hope to start shooting in early 2008. "As of right now, we're still in the first, second draft of the script", she said. "So a little bit of time—at least a year".

Philanthropy

Besides being a musician, Keys is also a philanthropist. She is a spokeswoman for Keep a Child Alive, a non-profit organization that provides life-saving AIDS medicines directly to children and families with HIV/AIDS in Africa. Keys and U2 lead singer Bono recorded a cover version of Peter Gabriel and Kate Bush's "Don't Give Up", in recognition of World AIDS Day 2006. Keys and Bono's version of the song was retitled "Don't Give Up (Africa)" to show the two musicians' support for helping to raise awareness of people living with HIV and AIDS and acknowledging the twenty-five million Africans (forty million people worldwide) living with the disease. Cingular Wireless announced the debut of an exclusive Music Tone ringtone available only through the Cingular Sounds music program. One hundred percent of the proceeds from the ringtone sales will go to Keep a Child Alive.

Keys has visited African countries such as Uganda, Kenya, and South Africa[30][31] to promote care for children affected by AIDS. Keys, the global ambassador and co-founder of Keep a Child Alive, jet in on a four-day working visit in Masaka, Uganda on April 10, 2006 to bolster the HIV/AIDS crusade and give a ray of hope to families and children devastated by the scourge.[32] Keys visited sites funded by the organization "and brought footage home to the American public to encourage them to do more to help", according to a KACA statement. Throughout her visit, a film crew followed and documented the progress at both of these facilities for American news outlets.

Keys is also a spokewoman for Frum tha Ground Up, a charity devoted to inspiring, encouraging, and motivating American youths to achieve success on all levels. Keys also participated in other humanitarian efforts in 2005 by performing at several exclusive concerts and television shows. On July 2, Keys performed in Philadelphia, Pennsylvania, as part of the worldwide Live 8 concerts. The mission of the concerts was to raise awareness of the on-going poverty in Africa and to pressure the G8 leaders to take action by doubling aid, canceling debt, and delivering trade justice for Africa. In August 2005, Keys performed on ReAct Now: Music & Relief, a benefit program shown on music video channels to raise money for those affected by Hurricane Katrina. The following month, Keys performed at Shelter from the Storm: A Concert for the Gulf Coast, another Hurricane Katrina benefit concert.

Keys is an honorary member of Alpha Kappa Alpha Sorority, Incorporated.

On July 7, 2007, Keys and Keith Urban performed The Rolling Stones' 1969 hit "Gimme Shelter" at Giants Stadium in East Rutherford, New Jersey at the American leg of the Live Earth concerts.

Keys participated at the Nobel Peace Prize Concert which took place at the Oslo Spektrum in Oslo, Norway on December 11, 2007, together with a variety of artists. The concert was broadcast to over one hundred countries.[33]

Personal life

The press reported in 2005 that Keys was attempting to reconcile with her father.[34] However, Keys denied this and said her words were misinterpreted.[35]

Mentions in popular culture

Keys was referenced in Bob Dylan's song "Thunder on the Mountain", from his 2006 album Modern Times. The second verse of the song has the following lines:

I was thinkin' 'bout Alicia Keys, couldn't keep from crying
When she was born in Hell's Kitchen, I was living down the line
I'm wondering where in the world Alicia Keys could be
I been looking for her even clear through Tennessee

Discography

Albums

Number-one singles

Year Single Chart positions
U.S. U.S. R&B U.S. pop U.S. dance CAN EUR WOR
2001 "Fallin'" 1 1 24 2 2
2003 "You Don't Know My Name" 3 1 19 45 5
2004 "If I Ain't Got You" 4 1 52 17
"Diary" (featuring Tony! Toni! Toné!) 8 2 1 39
"My Boo" (with Usher) 1 1 1 6 4
2007 "No One" 1 1 1 2 1 1
"Like You'll Never See Me Again" 12 1 51
Total number-one hits 3 6 1 1 1 1 1

Filmography

Films

Year Title Role
2007 Smokin' Aces Georgia Sykes
2007 The Nanny Diaries Lynette
2008 The Secret Life of Bees June

Television

Year Title Role Episode
1985 The Cosby Show Maria "Slumber Party" (episode 22, season 1)
2001 Charmed P3 VIP Patron "Size Matters" (episode 5, season 4)
2003 American Dreams Fontella Bass "Rescue Me" (episode 6, season 2)
2006 The Backyardigans Mommy Martian (voice) "Mission to Mars" (episode 1, season 2)
2007 Cane Herself "One Man Is an Island" (episode 7, season 1)

Books

Tours

Awards

Thursday, February 7, 2008

mariah

Mariah Carey

From Wikipedia, the free encyclopedia

Mariah Carey
Carey performing during the video shoot for "I Still Believe" in 1998
Carey performing during the video shoot for "I Still Believe" in 1998
Background information
Birth name Mariah Carey
Born March 27, 1970 (1970-03-27) (age 37)
Huntington, Long Island, New York, United States
Genre(s) Pop, R&B
Occupation(s) Singer, songwriter, record producer, actress
Years active 1990–present
Label(s) Columbia, Virgin, MonarC/Island, Island
Website www.mariahcarey.com

Mariah Carey (born March 27, 1970) is an American pop and R&B singer-songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and became the first recording artist to have her first five singles top the U.S. Billboard Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records established her position as Columbia's highest-selling act. According to Billboard magazine, she was the most successful artist of the 1990s in the United States.[1]

Carey took control over her image and music following her separation from Mottola in 1997, and introduced elements of hip hop into her album work. Her popularity was in decline when she left Columbia in 2001, and she was dropped by Virgin Records the following year following a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records and after a relatively unsuccessful period, she returned to the forefront of pop music in 2005.

Carey was named the best-selling female pop artist of the millennium at the 2000 World Music Awards.[2] She has recorded the most number-one singles—seventeen—for a female solo artist in the United States, where, according to the Recording Industry Association of America, she is the third best-selling female recording artist.[3] In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her vocal range, power, melismatic style, and use of the whistle register. However, some critics have said her efforts to showcase her vocal talents have been at the expense of communicating true emotion through song.[4][5]

Contents

Life and music career

Childhood and youth

Carey was born in Huntington, Long Island, New York. She is the third and youngest child of Patricia Hickey, a former opera singer and vocal coach of Irish descent, and Alfred Roy Carey, an aeronautical engineer of Afro-Venezuelan descent.[6] Carey's parents divorced when she was three years old.[7] After the divorce, Carey had little contact with her father, while her mother worked several jobs to support the family. She spent much of her time at home alone, and turned to music as an outlet. She began singing at around the age of three, when her mother began to teach her after Carey imitated her mother practicing Verdi's opera Rigoletto in Italian.[8]

She graduated from Harborfields High School in Greenlawn, New York. She was frequently absent due to her work as a demo singer for local recording studios; her classmates consequently gave her the nickname "Mirage".[9] Her renown in the Long Island music scene gave her opportunities to work with musicians such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After moving to New York City, Carey worked part-time jobs to pay the rent and completed five hundred hours of beauty school.[10] Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.

In 1988, Carey met Columbia Records executive Tommy Mottola at a party, where Starr gave him Carey's demo tape. Mottola played the tape when leaving the party and was impressed. He returned to find Carey, but she had left. Nevertheless, Mottola tracked her down and signed her to a recording contract. This Cinderella-like story became part of the standard publicity surrounding Carey's entrance into the industry.[11]

1990–1992: Early commercial success

Carey co-wrote the tracks on her 1990 debut album Mariah Carey, and she has continued to co-write the majority of her material since. During the recording, she expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom the executives at Columbia had enlisted to help make the album more commercially viable.[12] Backed by a substantial promotional budget, the album reached number one on the U.S. Billboard 200 chart, where it remained for several weeks. It yielded four number-one singles, and made Carey a star in the United States, but was less successful in other countries. Critics rated the album highly, and Carey won Grammys for Best New Artist, and Best Female Pop Vocal Performance—for her debut single, "Vision of Love".

Carey's 1992 MTV Unplugged concert showed her ability to produce her vocal style outside a studio setting. Audio sample of "Emotions" (help·info)

Carey's 1992 MTV Unplugged concert showed her ability to produce her vocal style outside a studio setting. Audio sample of "Emotions"

Vision Of Love




Carey conceived Emotions, her second album, as a homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés & Cole (from the dance group C&C Music Factory) on the record. It was released soon after her debut album—in late 1991—but was neither critically nor commercially as successful; Rolling Stone described it as "more of the same, with less interesting material [...] pop-psych love songs played with airless, intimidating expertise".[13] The title track "Emotions" made Carey the only recording act to have their first five singles reach number one on the U.S. Hot 100 chart, though the album's follow-up singles failed to match this feat. Carey had been lobbying to produce her own songs, and beginning with Emotions, she has co-produced most of her material. "I didn't want [Emotions] to be somebody else's vision of me", she said. "There's more of me on this album".[14] She began writing and producing for other artists, such as Penny Ford and Daryl Hall, in the coming year.

Emotions




Although Carey performed live occasionally, stage fright prevented her from embarking on a major tour.[citation needed] Her first widely seen appearance was featured on the television show MTV Unplugged in 1992, and she remarked that she felt her performance that night proved her vocal abilities were not, as some had previously speculated, simulated with studio equipment.[15] Alongside acoustic versions of some of her earlier songs, Carey premiered a cover of The Jackson 5's "I'll Be There" with her back-up singer Trey Lorenz. The duet was released as a single, reached number one in the U.S., and led to a record deal for Lorenz, whose debut album Carey later co-produced. Because of high ratings for the Unplugged television special, the concert's set list was released on the EP MTV Unplugged, which Entertainment Weekly called "the strongest, most genuinely musical record she has ever made [...] Did this live performance help her take her first steps toward growing up?".[16]

1993–1996: Worldwide popularity

Carey and Tommy Mottola had become involved romantically during the making of her debut album, and in June 1993, they were married.

Kenneth "Babyface" Edmonds consulted on the album Music Box, which was released later that year and became Carey's most successful worldwide. It yielded her first UK Singles Chart number-one,[citation needed] a cover of Badfinger's "Without You", and the U.S. number-ones "Dreamlover" and "Hero". Billboard magazine proclaimed it "heart-piercing [...] easily the most elemental of Carey's releases, her vocal eurythmics in natural sync with the songs",[17] but TIME magazine lamented Carey's attempt at a mellower work, "[Music Box] seems perfunctory and almost passionless [...] Carey could be a pop-soul great; instead she has once again settled for Salieri-like mediocrity."[18] In response to such comments, Carey said, "As soon as you have a big success, a lot of people don't like that. There's nothing I can do about it. All I can do is make music I believe in."[19] Most critics slighted the opening of her subsequent U.S. Music Box Tour.[20]

Without You


In late 1994, after her duet with Luther Vandross on a cover of Lionel Richie and Diana Ross's "Endless Love" became a hit, Carey released the holiday album Merry Christmas. It contained cover material and original compositions such as "All I Want for Christmas Is You", which became Carey's biggest single in Japan[citation needed] and, in subsequent years, emerged as one of her most perennially popular songs on U.S. radio.[21] Critical reception of Merry Christmas was mixed, with All Music Guide calling it an "otherwise vanilla set [...] pretensions to high opera on 'O Holy Night' and a horrid danceclub take on 'Joy to the World'".[22] It became the most successful Christmas album of all time.[23]

ENDLESS LOVE




In 1995, Columbia released Carey's fifth album, Daydream, which combined the pop sensibilities of Music Box with downbeat R&B and hip hop influences. A remix of "Fantasy", its first single, featured rapper Ol' Dirty Bastard. Carey said that Columbia reacted negatively to her intentions for the album: "Everybody was like 'What, are you crazy?'. They're very nervous about breaking the formula."[24] It became her biggest-selling album in the U.S., and its singles achieved similar success—"Fantasy" became the second single to debut at number one in the U.S. and topped the Canadian Singles Chart for twelve weeks,[citation needed] "One Sweet Day" (a duet with Boyz II Men) spent a record-holding sixteen weeks at number one in the U.S.,[citation needed] and "Always Be My Baby" (co-produced by Jermaine Dupri) was the most successful on U.S. radio in 1996, according to Billboard magazine.[citation needed] Daydream generated career-best reviews for Carey,[25] and publications such as The New York Times named it one of 1995's best albums; the Times wrote that its "best cuts bring pop candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward, becoming more relaxed, sexier and less reliant on thudding clichés".[26] The short but profitable Daydream World Tour augmented sales of the album, which received six Grammy Award nominations.

1997–2000: New image and independence

Carey in Holland in 1998.

Carey in Holland in 1998.

Carey and Mottola officially separated in 1997. Although the public image of the marriage was a happy one, she said that in reality she had felt trapped by her relationship with Mottola, whom she often described as controlling.[27] They officially announced their separation in 1997, and their divorce became final the following year. Soon after the separation, Carey hired an independent publicist and a new attorney and manager. She continued to write and produce for other artists during this period, contributing to the debut albums of Allure and 7 Mile through her short-lived imprint Crave Records.

Carey's next album, Butterfly (1997), yielded the number-one single "Honey", the lyrics and music video for which presented a more overtly sexual image of her than had been previously seen.[28] She stated that Butterfly marked the point that she attained full creative control over her music, which continued to move in a hip hop direction with material co-written and co-produced by rappers such as Sean "P. Diddy" Combs and Missy Elliott. However, she added: "I don't think it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I was going to be a rapper. Personally, this album is about doing whatever the hell I wanted to do."[29] Reviews were generally positive: LAUNCHcast said Butterfly "pushes the envelope", a move its critic thought "may prove disconcerting to more conservative fans" but praised as "a welcome change".[30] The Los Angeles Times wrote, "[Butterfly] is easily the most personal, confessional-sounding record she's ever done [...] Carey-bashing just might become a thing of the past."[31] The album was a commercial success—though not to the degree of her previous three albums—and "My All" (her thirteenth Hot 100 number-one) gave her the record for the most U.S. number-ones by a female artist.

Honey Live




Towards the turn of the millennium, Carey was developing the film project Glitter, and she wrote songs for the films Men in Black (1997), and How the Grinch Stole Christmas (2000).[citation needed] During the production of Butterfly, Carey became romantically involved with New York Yankees baseball star Derek Jeter. Their relationship ended in 1998, with both parties citing media interference as the main reason for the split.[32] The same year, Columbia released the album #1's, a collection of Carey's U.S. number-one singles alongside new material, which she said was a way of rewarding her fans.[33] The song "When You Believe", a duet with Whitney Houston, was recorded for the soundtrack of The Prince of Egypt (1998) and won an Academy Award. #1's sold above expectations,[citation needed] but a review in NME labeled Carey "a purveyor of saccharine bilge like 'Hero', whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow".[34] Also that year, she appeared on the first televised VH1 Divas benefit concert program, though her alleged prima donna behavior had already led many to consider her a diva.[35] By the following year, she had entered a relationship with singer Luis Miguel.

Rainbow, Carey's seventh studio album, was released in 1999 and comprised more R&B/hip hop-oriented songs, many of them co-created with Jimmy Jam and Terry Lewis. "Heartbreaker" and "Thank God I Found You" (the former featuring Jay-Z, the latter featuring Joe and boy band 98 Degrees) reached number one in the U.S., and the success of the former made Carey the only act to have a number-one single in each year of the 1990s. A cover of Phil Collins's "Against All Odds (Take a Look at Me Now)" went to number one in the UK after Carey re-recorded it with boy band Westlife. Media reception of Rainbow was generally enthusiastic, with the Sunday Herald saying the album "sees her impressively tottering between soul ballads and collaborations with R&B heavyweights like Snoop Doggy Dogg, Usher [...] It's a polished collection of pop-soul".[36] VIBE magazine expressed similar sentiments, writing, "She pulls out all stops [...] Rainbow will garner even more adoration",[37] but it became Carey's lowest selling album up to that point, and there was a recurring criticism that the tracks were too alike. When the double A-side "Crybaby" (featuring Snoop Dogg)/"Can't Take That Away (Mariah's Theme)" became her first single to peak outside the U.S. top twenty, Carey accused Sony of under promoting it: "The political situation in my professional career is not positive [...] I'm getting a lot of negative feedback from certain corporate people", she wrote on her official website.[38]

Against All Odds




2001–2004: Personal and professional struggles

After receiving Billboard's Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium,[2] Carey parted from Columbia and signed a contract with EMI's Virgin Records worth a reported US$80 million.[citation needed] She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website complaining of being overworked,[39] and her relationship with Luis Miguel was ending. In an interview the following year, she said, "I was with people who didn't really know me, and I had no personal assistant. I'd be doing interviews all day long, getting two hours of sleep a night, if that."[40] During an appearance on MTV's Total Request Live, Carey handed out popsicles to the audience and began what was later described as a "strip tease".[41] By the month's end, she had checked into a hospital, and her publicist announced that Carey was taking a break from public appearances.[42]

Critics panned Glitter, Carey's much delayed semi-autobiographical film, and it was a box office failure. The accompanying soundtrack album, Glitter, was inspired by the music of the 1980s and featured collaborations with Rick James and Jimmy Jam and Terry Lewis; it generated Carey's worst showing on the U.S. chart. The St. Louis Post-Dispatch dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful",[43] while Blender magazine opined, "After years of trading her signature flourishes for a radio-ready purr, [Carey]'s left with almost no presence at all."[44] The lead single, "Loverboy" (featuring Cameo), reached number two on the Hot 100 thanks to a price cut,[42] but the album's follow-up singles failed to chart.

Columbia released the low-charting compilation album Greatest Hits shortly after the failure of Glitter, and in early 2002, Virgin bought out Carey's contract for $28 million,[citation needed] creating further negative publicity. Carey later said her time at Virgin was "a complete and total stress-fest [...] I made a total snap decision which was based on money, and I never make decisions based on money. I learned a big lesson from that."[45] Later that year, she signed a $20 million contract with Island Recordsand launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact between childhood and that year, died of cancer.

Following a well-received supporting role in the 2002 film WiseGirls, Carey released the album Charmbracelet, which she said marked "a new lease on life" for her.[40] Sales of Charmbracelet were moderate, and the quality of Carey's vocals came under severe criticism. The Boston Globe declared the album "the worst of her career, revealing a voice no longer capable of either gravity-defying gymnastics or soft coos",[46] and Rolling Stone commented, "Carey needs bold songs that help her use the power and range for which she is famous. Charmbracelet is like a stream of watercolors that bleed into a puddle of brown."[47] The album's only charting single in America, "Through the Rain", was a failure on pop radio, which had become less open to maturing "diva" stylists such as Whitney Houston, Celine Dion, or Carey herself in favor of younger singers such as Kelly Clarkson or Christina Aguilera, who had vocal styles very similar to Carey's.[40]

"I Know What You Want", a 2003 Busta Rhymes single on which Carey guest starred, fared considerably better and reached the U.S. top five.Columbia later included it on the remix collection The Remixes, Carey's first album not to receive an RIAA sales certification. That year, she embarked on the Charmbracelet World Tour and was awarded the Chopard Diamond award for selling over 100 million albums worldwide.[48] She was featured on rapper Jadakiss's 2004 single "U Make Me Wanna", which reached the top ten on Billboard's R&B/Hip-Hop chart.

I Know What You Want




2005–present: Return to prominence

Carey performing on stage during The Adventures of Mimi Tour in 2006.

Carey performing on stage during The Adventures of Mimi Tour in 2006.

Carey's tenth studio album, The Emancipation of Mimi (2005), contained contributions from producers such as The Neptunes, Kanye West and Carey's longtime collaborator, Jermaine Dupri. Carey said it was "very much like a party record [...] the process of putting on makeup and getting ready to go out [...] I wanted to make a record that was reflective of that."The Emancipation of Mimi became 2005's best-selling album in the U.S., and The Guardian reviewer defined it as "cool, focused and urban [... some of] the first Mariah Carey tunes in years I wouldn't have to be paid to listen to again".[50] The album earned Carey a Grammy Award for Best Contemporary R&B Album, and the single "We Belong Together" won Best Female R&B Vocal Performance and Best R&B Song. "We Belong Together" held the Hot 100's number-one position for fourteen weeks (Carey's longest run at the top as a solo lead artist), and "Shake It Off" made Carey the only solo female artist to occupy the Hot 100's top two positions simultaneously.[51] "Don't Forget About Us" became her seventeenth number-one in the U.S., tying her with Elvis Presley for the most number-ones by a solo act according to Billboard magazine's revised methodology (their statistician Joel Whitburn still credits Presley with an eighteenth).[52] The Beatles had twenty number-ones. Carey's singles have, collectively, topped the charts for 77 weeks,[citation needed] which places her ahead of The Beatles (59 weeks), and behind Presley, who topped the combined charts for 79 weeks. Carey has also had notable success on international charts, though not to the same degree as her native America. Thus far, she has had two number-one singles in Britain,[53] two in Australia[citation needed], and six in Canada[citation needed]. Carey's highest-charting single in Japan peaked at number-two.[54]

we belong together




Carey began a concert tour in mid-2006, called The Adventures of Mimi Tour, which was the most successful tour of her career, although some dates had to be canceled.[55] She appeared on the cover of the March 2007 edition of Playboy magazine on a non-nude photo session.[56] In early 2007, she was featured with Bow Wow on the Bone Thugs-n-Harmony single "Lil' L.O.V.E.". Later in the year, Carey received a "recording star" on the Hollywood Walk of Fame,[57] and she has been inducted into the Long Island Music Hall of Fame on October 21, 2007. In mid-2006, she had begun working on her eleventh studio album[58], That Chick, which will be released April 1, 2008.[59]

Acting career

Carey began to take professional acting lessons in 1997, and in the coming year, she was auditioning for film roles. She made her debut as an opera singer in the romantic comedy The Bachelor (1999), starring Chris O'Donnell and Renée Zellweger. CNN referred derisively to her casting as a talentless diva as "letter-perfect [...] the "can't act" part informs Carey's entire performance".[60]

Carey's first starring role was in Glitter (2001), in which she played a struggling musician in the 1980s who breaks into the music industry after meeting a disc jockey (Max Beesley). Though Roger Ebert said "[Carey]'s acting ranges from dutiful flirtatiousness to intense sincerity",[61] most critics panned it: Halliwell's Film Guide called it a "vapid star vehicle for a pop singer with no visible acting ability",[62] and The Village Voice observed: "When [Carey] tries for an emotion—any emotion—she looks as if she's lost her car keys."[63] Glitter was a box office failure, and Carey earned a Razzie Award for her role. She later said that the film "started out as a concept with substance, but it ended up being geared to 10-year-olds. It lost a lot of grit [...] I kind of got in over my head."[40]

Carey, Mira Sorvino and Melora Walters co-starred as waitresses at a mobster-operated restaurant in the independent film WiseGirls (2002), which premiered at the Sundance Film Festival but went straight to cable in the U.S. Critics commended Carey for her efforts—The Hollywood Reporter predicted, "Those scathing notices for Glitter will be a forgotten memory for the singer once people warm up to Raychel",[64] and Roger Friedman, referring to her as "a Thelma Ritter for the new millennium", said, "Her line delivery is sharp and she manages to get the right laughs".[65] WiseGirls producer Anthony Esposito cast Carey in The Sweet Science (2006), a film about an unknown female boxer recruited by a boxing manager, but it never entered production.[66]

Carey was one of several musicians who appeared in the independently produced Damon Dash films Death of a Dynasty (2003) and State Property 2 (2005). Her television work has been limited to a January 2002 episode of Ally McBeal. In 2006, Carey joined the cast of the indie film Tennessee (2007), taking the role of a waitress who travels with her two brothers to find their long-lost father.[67] JoBlo.com reported in June 2007 that Carey would join the cast of Adam Sandler's upcoming film You Don't Mess with the Zohan, playing herself.[68]

Artistry

Carey has said that from childhood she was influenced by R&B and soul musicians such as Billie Holiday, Sarah Vaughan, Gladys Knight, Aretha Franklin, Al Green and Stevie Wonder.[citation needed] Her music contains strong influences of gospel music, and her favorite gospel singers include The Clark Sisters, Shirley Caesar and Edwin Hawkins.[69] When Carey incorporated hip hop into her sound, speculation arose that she was making an attempt to take advantage of the genre's popularity, but she told Newsweek, "People just don't understand. I grew up with this music".[70] She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. & Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep,[11] with whom she collaborated on the single "The Roof (Back in Time)" (1998).

Carey's debut album received criticism for being too similar in style to the work of Whitney Houston,[citation needed] and during her career, her vocal and musical style, along with her level of success, has been compared to Houston and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song".[71] In She Bop II: The Definitive History of Women in Rock, Pop and Soul (2002), writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection".[72] Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR".[72] Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the Guinness Rockopedia (1998) classified her as the "songbird supreme".[73]

Despite the fact that Carey is often credited with co-writing her material, she has also been accused of plagiarism on several occasions. Many of these cases were eventually settled out of court.[74][75][76]

Voice

Carey is said to be able to cover all the notes from the alto vocal range leading to those of a coloratura soprano,[4][77] and her vocal trademark is her ability to sing in the whistle register.[78] She has cited Minnie Riperton as the greatest influence on her singing technique[79] and from a very early age, she attempted to emulate Riperton's high notes, to increasing degrees of success as her vocal range expanded. According to most sources, she has a five-octave vocal range, though some credit her with seven or eight octaves.[72][80] In 2003, her voice was ranked first in MTV and Blender magazine's countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself."[81]

Carey's voice has come under considerable scrutiny from critics who believe that she does not communicate the message of her songs effectively. Rolling Stone magazine said in 1992, "Carey has a remarkable vocal gift, but to date, unfortunately, her singing has been far more impressive than expressive [...] at full speed her range is so superhuman that each excessive note erodes the believability of the lyric she is singing."[5] The New York Daily News wrote that Carey's singing "is ultimately what does her in. For Carey, vocalizing is all about the performance, not the emotions that inspired it [...] Does having a great voice automatically make you a great singer? Hardly."[4] Some interpreted Carey's decision to utilize what she described as "breathy" vocals in some of her late 1990s and early 2000s work as a sign that her voice was deteriorating, but she has maintained that it "has been here all along".[82] An article in VIBE magazine indicated that Carey's singing style highlights weaknesses in other aspects of her music, "The impressiveness of her voice—as well as her tendency to oversing—make the blandness of her material all the more flagrant."[11]


A review on the AllMusicGuide referred to her vocals on Daydream as "remarkably impassioned," which stood in notable contrast to comments that her vocal technique came at the expense of feeling or emotion.

Themes and musical style

Love is the subject of the majority of Carey's lyrics, although she has written about themes such as racism, death, world hunger, and spirituality.She has said that much of her work is partly autobiographical, but TIME magazine wrote: "If only Mariah Carey's music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict."[83] The Village Voice wrote in 2001 that, in that respect, Carey compared unfavorably with singers such as Mary J. Blige, saying "Carey's Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads [...] it's largely because of [Blige] that the new r&b demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it's the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands."[84]

Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano music, and she was given piano lessons when she was six years old.[citation needed] Carey said that she cannot read sheet music[citation needed] and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique.[citation needed] Some of her arrangements have been inspired by the work of musicians such as Stevie Wonder,[citation needed] a soul pianist to whom Carey once referred as "the genius of the [twentieth] century",[11] but she has said, "My voice is my instrument; it always has been."[85]

Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes.[86] Disc jockey David Morales has collaborated with Carey several times, starting with "Dreamlover" (1993), which popularized the tradition of remixing pop songs into house records, and which Slant magazine named one of the greatest dance songs of all time.[87] From "Fantasy" (1995) onward, Carey enlisted both hip hop and house producers to re-imagine her album compositions. Entertainment Weekly included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005:[88] a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the pop/hip hop collaboration trend that has continued into the 2000s through artists such as Ashanti and Beyoncé.[89][86] Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you".[11] She continues to consult on remixes by producers such as Morales, Jermaine Dupri, Junior Vasquez and DJ Clue, and guest performers contribute frequently to them. The popularity in U.S. nightclubs of the dance remixes, which often sound radically different from their album counterparts, has been known to eclipse the mainstream chart success of the original songs.

Philanthropy and other activities

Carey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah "for her generous support and dedication to Fresh Air children",[90] and she received a Congressional Horizon Award for her youth-related charity work.[91] She is well-known nationally for her work with the Make-a-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation's Wish Idol for her "extraordinary generosity and her many wish granting achievements".[92] Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of MTV Unplugged was donated to various other charities.

One of Carey's most high-profile benefit concert appearances was on VH1's 1998 Divas Live special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success,[citation needed] and Carey participated in the 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception.[93] She appeared at the America: A Tribute to Heroes nationally televised fundraiser in the aftermath of the September 11, 2001 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special At Home for the Holidays, which documented real-life stories of adopted children and foster families,[94] and she has worked with the New York City Administration for Children's Services. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon Shelter from the Storm.

Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores.[95][67] During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life".[96] She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she release a fragrance, "M".[97][98] According to Forbes, Carey was the sixth richest woman in entertainment as of January 2007, with an estimated net worth of US $225 million.[99]

Carey directed or co-directed several of the music videos for her singles during the 1990s. Slant magazine named the video for "The Roof (Back in Time)", which Carey co-directed with Diane Martel, one of the twenty greatest music videos of all time.[100]

Discography

Further information: Mariah Carey albums discography
Further information: Mariah Carey singles discography

Studio albums

Other albums

Videos/DVDs

Tours

Filmography